UCLA Department of Ethnomusicology

Audiovisual Archiving in the 21st Century
Anthony Seeger & Aaron Bittel
Winter Quarter 2008: Mondays 3:00 – 5:50 pm
Schoenberg Music Building

1. Simon, Artur. 2000. “The Musical Traditions of Mankind in the Berlin Phonogramm-Archiv 1900-2000: Collecting, Preserving, Researching, and Communicating.” In The Berlin Phonogramm-Archiv 1900-2000: Collections of Traditional Music of the World, edited by Artur Simon. Berlin: VWB-Verlag fur Wissenschaft und Bildung: pp. 47-64.

2. Seeger, Anthony. 1986. “The Role of Sound Archives Today.” In Ethnomusicology 30(2): 261-276.

3. Muller, Carol A. 2002. “Archiving Africanness in Sacred Song.” In Ethnomusicology 46(3): 409-431.

4. Sewald, Ronda L.  “Sound Recordings and Ethnomusicology: Theoretical Barriers to the Use of Archival Collections,” parts I and II. Resound: A Quarterly of the Archives of Traditional Music vol 24 nos. 1/2: 1-12 and 3/4:1-10.

5. Vallier, John.  December 2005.  “Balancing User Perspectives with Archival Reality” IASA Journal 26:17-22.

6. Ward, Alan. 1990. Chapter 1: What Are Sound Archives? In A Manual of Sound Archive Administration. Hants, England: Gower Press 1-13.

7. Frith, Simon and Lee Marshall. 2004. “Making Sense of Copyright.” In Music and Copyright, 2nd Edition, edited by Frith and Marshall. New York: Routledge 1-18.

8. Seeger, Anthony. 2004. “Traditional Music Ownership in a Commodified World.” In Music and Copyright, 2nd Edition, edited by Frith and Marshall. New York: Routledge 157-170.

9. Fargion, Janet Topp, ed. 2001. A Manual for Documentation, Fieldwork, and Preservation for Ethnomusicologists (2nd edition). Bloomington: Society for Ethnomusicology 1-10.

10. Jackson, Bruce. 1987. Fieldwork. Urbana: University of Illinois Press 244-256.

11. Clark, Chris. 2004. “How Flexible is your Catalogue? Developing a Large Database of sound recordings at the British Library.” In Journal for the International Association of Sound and Audiovisual Archives.  Number 24: 6-13.

12. Seeger, Anthony. 1996. “Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property.” Yearbook for Traditional Music, vol. 28:87-105.

13. Schuursma, Rolf. 1984. “Problems in Selection in Research Sound Archives.” In Selection in Sound Archives, edited by Helen P. Harrison. Milton Keynes, England: International Association of Sound Archives: pp. 1-12.

14. Schüller, Dietrich. 1999. "Minidisc for Field Recording: Applying Archiving Principles to Data Gathering." In IASA Journal 14 December: 35-40.

15. Bradley, Kevin (Ed.). 2004.  Guidelines on the Production and Preservation of Digital Audio Objects. International Association of Sound and Audiovisual Archives (IASA): 1-10.