UCLA Department of Ethnomusicology

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Ethnomusicology 5: Music Around the World

Course Schedule

Please note: The readings and listening examples are subject to change.  Please check the course website regularly.

Week 1

Introduction to the Study of the World’s Music

Mon:  Overview of the course: objectives, expectations, class syllabus, class website, student blogs, accessing listening examples, grading system, explanation of short paper and research paper, course materials, sections, upcoming concerts at school, and library reserves.

Weds: Introducing Ethnomusicology and the Fundamentals of Music


READING: Worlds of Music, Chapter 1, pp. 1-30. Brief introduction to the field of ethnomusicology, history of the field, specific “music-cultures,” and broad issues such as identity, nationalism, colonialism, and diaspora. Focus on critical listening and an explanation of musical terminology used in class.

Week 2: Africa

Mon: Sub-Saharan Africa: Ewe, Mande, and Dagbamba
READING: Worlds of Music, Chapter 3, pp. 73-104.

Weds: Sub-Saharan Africa, cont.: Shona and BaAka, and African Popular Music
READING: Worlds of Music, Chapter 3, pp. 104-114.

Week 3: North America

Mon: Afro/Anglo-American folk music
READING: Worlds of Music, Chapter 4, pp. 123-131.

Weds: The Blues
READING:  Worlds of Music, Chapter 4, pp. 131-153

Week 4:  Native Music of the Americas
    
Mon: Native American Music (North America)
READING: Worlds of Music, Chapter 2, pp. 35-66.

Weds: Amerindian Music (South America)
READING: Worlds of Music, Chapter 8, pp. 274-286. And Seeger, Anthony, “What Can We Learn When They Sing? Vocal Genres of the Suya Indians of Central Brazil” Ethnomusicology, Vol. 23, No. 3. (Sep., 1979), pp. 373-394 (available online and on reserve in the Music Library).

 

Week 5: Latin America

Mon: Chile, Peru, and Mexico
READING: Worlds of Music, Chapter 8, pp. 266-274 and 290-295. And TBA.

Wed:  Afro-Ecuadorian and Afro-Brazilian
READING: Worlds of Music, Chapter 8, pp. 286-290 and 296-300. And Behague, Gerard, “Afro-Brazilian Traditions” in The Garland Encyclopedia of World Music, Volume 2: South America, Mexico, Central America, and the Caribbean (1998), edited by Dale A. Olsen, 340-355. New York: Garland Publishing Inc (available online and on reserve in the Music Library).

Week 6: South Asia

Mon: 1st hour: MIDTERM; 2nd hour: India, Indian classical music

Weds: India, cont., Carnatic Music and Popular Music
READING: Worlds of Music, Chapter 6, pp. 197-225.

    
Week 7:   Middle East

Mon: TBA
READINGS: TBA
     
Weds: TBA
READING: TBA

Week 8 :    Southeast Asia

Mon: Indonesia: Central Java
READING: Worlds of Music, Chapter 7, pp. 231-249.

Weds: Indonesia: Bali and Popular Music
READING: Worlds of Music, Chapter 7, pp. 249-256.

Week 9:  East Asia

Mon: Memorial Day (no class)

Weds: Japan: Traditional and Popular Music
READING: Worlds of Music, Chapter 5, pp. 159-191.

Week 10: Music and Globalization 

Mon: Music and Globalization
READING: TBA
    
Weds: Review for final or TBA

 

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