UCLA Department of Ethnomusicology

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Ethnomusicology 35: Blues, Society and American Culture

Bibliography

Baker, Houston A. Jr.  1984. Blues, Ideology, and Afro-American Literature: A Vernacular Theory. Chicago: University of Chicago Press.


Bastin, Bruce. 1986.  Red River Blues: The Blues Tradition in the Southeast. Urbana: University of Illinois Press.


Brown, Sterling. 1998. “The Blues as Folk Poetry.” In The Jazz Cadence of American Culture, edited by Robert G. O, Meally, pp. 540-551, New York: Columbia University Press. .

Cone, James H. 1972. The Spirituals and The Blues: An Interpretation. New York: The Seabury Press.

Davis. Angela Y. 1998. Blues Legacies and Black Feminism: Gertrude “Ma” Rainey,

Bessie Smith, and Billie Holiday. New York: Pantheon Books.

Erenberg, Lewis A. 1998. Swing’ the Dream: Big Band Jazz and the Rebirth of American Culture. Chicago: University of Chicago Press

Ewen, David. 1977. All the Years of American Popular Music. Englewood: Prentice Hall, Inc.

Franklin, Hope John & Alfred A. Moss, Jr. 2000 From Slavery to Freedom: A History of African Americans. Eighth Edition. New York: Alfred A. Knopf.

Garofalo, Reebee. 2005 [1997]. Rockin’ Out: Popular Music in the USA, 3rd Edition. Upper Saddle River, NJ: Pearson Prentice-Hall.


Giddins, Gary. 1981. Riding on a Blue Note: Jazz and American Pop. New York: Oxford
 University Press.


Gillett, Charlie. 1983. The Sound of the City: The Rise of Rock and Roll. New York: Pantheon.


Gordon, Robert and Bruce Nemerov, eds. 2005. Lost Delta Found: Rediscovering the Fisk University—Library of Congress Coahoma County Study, 1941-1942.
Nashville: Vanderbilt University Press,

Harris, Michael W. 1992. The Rise of Gospel Blues: The Music of Thomas Andrew  Dorsey in the Urban Church.  New York and Oxford: Oxford University Press.


Harrison, Daphne D. 1988, Black Pearls: Blues Queens of the 1920. New Brunswick: Rutgers University Press.


Jones, Leroi (Amiri Baraka). 1999 [1963]. Blues People. New York: Quill.


Keil, Charles. 1991. Urban Blues. Chicago: University of Illinois Press.


Kennedy, Rick and Randy McNutt. 1999. Little labels—Big Sound: Small Record Companies and the Rise of American Music. Bloomington: Indiana University  Press.


Keyes, Cheryl L. 2003. “The Aesthetic Significance of African American sound Culture and Its Impact on American Popular Music Style and Industry. World of Music, 45(3), pp. 105-129.


______________ 2002. Rap Music and Street Consciousness. Urbana: University of Illinois.


Maultsby. Portia K.1986. “Rhythm and Blues (1945-1955): A Survey of Styles,” A Program Guide, Washington, D.C: Smithsonian Institution, pp.6-19

_______________. 1983. “Soul Music: Its Sociological and Political Significance" in American Popular Music. Journal of Popular Culture, 17, pp. 51-60.


Neal, Mark Anthony. 1999. What the Music Said: Black Popular Music and Black Public Culture. New York and London: Routledge.


Oliver, Paul, et al. 2001. Yonder Come the Blues. New York and UK: Cambridge University Press.


Peretti, Burton W. 1992. The Creation of Jazz: Music, Race, and Culture in Urban America. Urbana: University of Illinois.


Schroeder, Patricia R. 2004. Robert Johnson: Mythmaking and Contemporary American Culture. Urbana: University of Illinois Press.


Shaw, Arnold. 1986. Black Popular Music in America. New York: Schirmer.


Southern, Eileen. 1997. The Music of Black American: A History, 3rd Edition. New York: W. W. Norton.


Spencer, Jon Michael. 1993.  Blues and Evil. Knoxville: University of Tennessee Press.

Stephens, Robert W. 1984. Soul: A Historical Reconstruction of Continuity and Change in Black Popular Music. Black Perspectives in Music  (Spring) Vol. 12(1).


 Titon, Jeff Todd. 1994. Early Downhome Blues: A Musical & Cultural Analysis, Ed. Chapel Hill: University of North Carolina Press.


_____________. 1993“Reconstructing the Blues: Reflections on the 1960s Blues Revival.” In Transforming Tradition: Folk Music Revivals Examined, edited by
Neil V. Rosenberg, pp. 220-240. Urbana: University of Illinois Press.

Waksman, Steve. 1999. Instrument of Desire: The Electric Guitar and the Shaping of Musical Experience. Cambridge: Harvard University Press.

 

 

 


 

 

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