Course Bibliography
Abu-Lughod, Lila. 1986. Veiled Sentiments: Honor and Poetry in Bedouin Society. Berkeley: University of California Press.
Agawu, Kofi. 2003. Representing African Music: Postcolonial Notes, Queries, Positions. New York: Routledge.
Brailoiu, Constantin. 1984. Problems of Ethnomusicology. Cambridge University Press.
Bingham, W. V.1914.“Five Years of Progress in Comparative Musical Science,” Psychological Bulletin. Vol. II: 421-33.
Blacking, John. 1973. How Musical is Man? Seattle: University of Washington Press.
____________. 1986. “Identifying Processes of Musical Change,” The World of Music, Vol. 28, No. 1, 3-12.
Chase, Gilbert. 1958. “A Dialectical Approach to Music History,” Ethnomusicology, Vol 2: 1-9.
Deloria, Vine. 1988. Custer Died for Your Sins: An Indian Manifesto. Norman: University of Oklahoma Press.
Ellis, Alexander. 1885.“On the Scales of Various Nations,” Journal of the Society of Arts. Vol. 33: (March 27): 485-527: (October 30) 1102-11.
Frisbie, Charlotte J. 1991. “Women and the Society for Ethnomusicology...(1953-53-61). In Comparative Musicology and Anthropology of Music, edited by Bruno Nettl and Philip V. Bohlman, 244-265. Chicago: The University of Chicago Press.
Geertz, Clifford. 1973. The Interpretation of Cultures. New York: Basic Books, Inc. Publishers.
Gilman, Benjamin I. 1909. “The Science of Exotic Music,” Science. Vol. 30: 532-35.
Gourlay, Kenneth. 1982. “Towards a Humanizing Ethnomusicology,” Ethnomusicology Vol. 26, No. 3, 411-420.
Henry, Edward O. 1976. “The Variety of Music in a North Indian Village; Reassessing Cantometrics,” Ethnomusicology. Vol. 20, No. 1, 49-66.
Herzog, George. 1946. “Comparative Musicology,” The Music Journal. Vol 4. (November, December), No. 11:42-44
Hood, Mantle. 1957. “Training and Research Methods in Ethnomusicology,” Ethnomusicology Newsletter. Vol. 1, No. 11: 2-8.
Hornbostel, Erich M. von and C. Sachs. 1961. “Classification of Musical Instruments,” (translation from the 1914 article in German by A. Baines and K.P. Wachsmann). Galpin Society. Vol. 14: 3-29.
Hornbostel, E.M.von and Otto Abraham . 1975 [1904].”Turkish Melodies Record on the Phonograph” & “On the Significance of the Phonograph for Comparative Musicology.” In Opera Omnia I, edited by K. Wachsmann, et al, 92-113; 185-202. The Hague: Martinus
Kunst, Jaap. 1969.Ethnomusicology, and Supplement. The Hague: Martinus Nijhoff (formerly titles Musciologica).
Langness, L L. 2005. The Study of Culture (Revised 3rd Edition). Novato, CA: Chandler and Sharp, Inc.
Lomax, Alan. 1968. Folk Song Style and Culture. New Brunswick: Transaction Books.
__________. 1976. Cantometrics: A Method in Musical Anthropology. (and 7 cassette tapes). Berkeley: University of California Press.
Loza, Steven. 2006. “Challenges to the Euroamericentric Ethnomusicological Canon: Alternatives for Graduate Readings, Theory, and Method.” Ethnomusicology, Vol. 50, No. 2: 360-71.
McAllester, David P. 1954. Enemy Way Music. Cambridge, Mass: The Museum.
Merriam, Alan P. 1964. The Anthropology of Music. Evanston: Northwestern University Press.
______________. 1969 “The Ethnographic Experience: Drum-making Among the Bala (Basongye,)” Ethnomusicology, Vol. 13, No. 1:74-100.
Nettl, Bruno. 1984. “Western Musical Values and the Character of Ethnomusicology,” The World of Music, Vol. 24, No. 1:29-40.
Nketia, J. H. Kwabena. 1962. “The Problem of Meaning in African Music,” in Ethnomusicology, Vol 6: 1-7.
Paredes, Americo. 2001. “Folklore, Lo Mexicano, and the Proverb.” In The Chicano Studies Reader: An Anthology of Aztlan: 1970-2000. Noriega, Chon, and Eric Avila, eds.
Pegg, Carol; Helen Meyers, et al. 2001. “Ethnomusicology.” In The New Grove Dictionary of Music and Musicians, 2nd Edition, edited by Stanley Sadie, Vol. 8: 367-371. New York & London: Macmillan Publishers Ltd.
Rhodes, Willard. 1956. “On the Subject of Ethno-musicology,” Ethno-musicology Newsletter. Vol. 1, No. 1: 1-9.
_____________. 1956. “Toward a Definition of Ethnomusicology,” American Anthropologist. Vol. 58: 457-63.
Roseman, Marina. 1987. “Inversion and Conjecture: Male and Female Performance Among the Temiar of Peninsula Malaysia.” In Women and Music in Cross-Cultural Perspective, edited by Ellen Koskoff, 131-149. Urbana: University of Illinois Press.
Sachs, Curt. 1961. The Wellsprings of Music, edited by Jaap Kunst. New York: McGraw-Hill Book Company.
Sanjek, Roger. “Boas, Franz,” in Encyclopedia of Social and Cultural Anthropology, edited by A. Barnard and J. Spencer, 71-94. New York & London: Routledge.
Schneider, Marius. 1957. “Primitive Music,” in Oxford History of Music, Vol. 1, edited by Egon Wellesz, 1-82. New York & London: Oxford University Press.
Seeger, Anthony. 1979. “What can we learn when they sing? Vocal Genres of the Suya Indian of Central Brazil,” Ethnomusicology Vol. 23, No. 3:373-394 .
Seeger, Charles. 1961.“Semantic Logical and Political Considerations Bearing upon Research in Ethnomusicology,” Ethnomusicology. Vol. 5: 77-80.
Sowande, Chief Fela. 1972. “The Role of Music in Traditional African Society” in African Music, UNESCO, .59-69.
Spencer, Jonathan. 1996.” Symbolic Anthropology,” in Encyclopedia of Social and Cultural Anthropology, edited by . A. Barnard and J. Spencer, 535-539. New York & London: Routledge.
Stokes, Martin. 1996.“Music,” Encyclopedia of Social and Cultural Anthropology, edited by A. Barnard & J. Spencer, 384-386. New York & London: Routledge .
Suchoff, B, editor. 1976.Bartók, Béla Essays. New York: St. Martin Press.
Wachmann, K. et al., editors. 1975. E.M. von Hornbostel Opera Omnia I. The Hague: Martinus Nijhoff.
Wallaschek, Richard. 1893. Primitive Music. London: Longmans, Green and Company.
Winthrop, Robert H. 1991. “Ethnoscience,” in Dictionary of Concept in Cultural Anthropology, edited by Robert H. Winthrop, 104-105. New York: Greenwood.