Course Reader Contents
Pegg, Carol; Helen Meyers, et al. 2001 Ethnoomusicology,” The New Grove Dictionary of Music and Musicians, second edition, Vol. 8: 367-371
Stokes, Martin 1996. “Music,” Encyclopedia of Social and Cultural Anthropology, edited by A. Barnard & J. Spencer, London: Routledge , pp. 384-386.
Loza, Steven. 2006. “Challenges to the Euroamericentric Ethnomusicological Canon: Alternatives for Graduate Readings, Theory, and Method.” Ethnomusicology, Vol. 50, No. 2: 360-71.
Ellis, Alexander. 1885 “On the Scales of Various Nations,” Journal of the Society of Arts. Vol. 33: (March 27): 485-527: (October 30) 1102-11.
Wachmann, K. et al., editors. 1975 E.M. von Hornbostel Opera Omnia I. The Hague: Martinus Nijhoff., pp. 92-113. 185-202
Gilman, Benjamin I.1909. “The Science of Exotic Music,” Science. Vol. 30: 532-35.
Bingham, W. V.. 1914. “Five Years of Progress in Comparative Musical Science,” Psychological Bulletin. Vol. II: 421-33.
Hornbostel, Erich M. von and C. Sachs. 1961. “Classification of Musical Instruments,” (translation from the 1914 article in German by A.Baines and K.P. Wachsmann). Galpin Society. Vol. 14: 3-29.
Herzog, George. 1946.“Comparative Musicology,” The Music Journal. Vol 4. (November, December), No. 11:42-44
Schneider, Marius. 1957.“Primitive Music,” in Oxford History of Music, edited by Egon Wellesz, Vol. 1:1-82.
Kunst, Jaap. 1969 Ethnomusicology, and Supplement. The Hague: Martinus Nijhoff (formerly titles Musciologica).
Nettle, Bruno. 1984. “Western Musical Values and the Character of Ethnomusicology,” The World of Music, Vol. 24, No. 1:29-40.
Sanjek, Roger. 2000. “Boas, Franz,” in encyclopedia of Social and Cultural Anthropology, edited by A. Barnard and J. Spencer, London: Routledge, 71-94.
Rhodes, Willard. 1956. “On the Subject of Ethno-musicology,” Ethno-musicology Newsletter. Vol. 1, No. 1: 1-9.
_____________. 1956 “Toward a Definition of Ethnomusicology,” American Anthropologist. Vol. 58: 457-63.
Hood, Mantle. 1957. “Training and Research Methods in Ethnomusicology,” Ethnomusicology Newsletter. Vol. 1, No. 11: 2-8.
Chase, Gilbert. 1958. “A Dialectical Approach to Music History,” Ethnomusicology, Vol 2: 1-9.
Seeger, Charles. 1961. “Semantic Logical and Political Considerations Bearing upon Research in Ethnomusicology,” Ethnomusicology. Vol. 5: 77-80.
Frisbie, Charlotte J.. 1991. “Women and the Society for Ethnomusicology...(1953-53-61), in Comparative Musicology and Anthropology of Music, edited by Bruno Nettl and Philip V. Bohlman, 244-265.
Nketia, J. H. Kwabena. 1962. “The Problem of Meaning in African Music,” in Ethnomusicology. Vol 6: 1-7. Hood, Mantle. 1963. “Music the Unknown”, in Musicology. edited by F. Harrison, M. Hood, and C. Palisca.
Englewood Cliffs: Prentice-Hall, 215-326.
Rhodes, Willard, 1956. “On the Subject of Ethno-musicology,” Ethno-musicology Newsletter. Vol. 1, No. 1: 1-9.
-----.1956.“Toward a Definition of Ethnomusicology,” American Anthropologist. Vol. 58: 457-63.
Hood, Mantle. 1957. “Training and Research Methods in Ethnomusicology,” Ethnomusicology Newsletter. Vol. 1, No. 11: 2-8.
Chase, Gilbert. 1958.“A Dialectical Approach to Music History,” Ethnomusicology, Vol 2: 1-9.
Seeger, Charles. 1961.“Semantic Logical and Political Considerations Bearing upon Research in Ethnomusicology,” Ethnomusicology. Vol. 5: 77-80.
Frisbie, Charlotte J. 1991. “Women and the Society for Ethnomusicology...(1953-53-61), in Comparative Musicology And Anthropology of Music, editd by Bruno Nettl and Philip V. Bohlman, 244-265.
Nketia, J. H. Kwabena. 1962.“The Problem of Meaning in African Music,” in Ethnomusicology. Vol 6: 1-7.
Sowande, Chief Fela. 1972. “The Role of Music in Traditional African Society” in African Music, published by UNESCO, pp.59-69.
Brailoiu, Constantin. 1984. Chapters 4 (pp. 102-109) and 7 (pp. 120-125). Problems of Ethnomusicology. Cambridge University Press.
Deloria, Vine. 1988. Chapter 4 (pp. 78-100). Custer Died for Your Sins: An Indian Manifesto. Norman: University of Oklahoma Press.
Winthrop, Robert H. 1991. “Ethnoscience,” in Dictionary of Concept in Cultural Anthropology. New York: Greenwood Press, 104-106
Merriam. Alan P. 1969“The Ethnographic Experience: Drum-making Among the Bala (Basongye,)” Ethnomusicology, Vol. 13, No. 1:74-100.
Henry, Edward O. 1976. “The Variety of Music in a North Indian Village; Reassessing Cantometrics,” Ethnomusicology. Vol. 20, No. 1, 49-66.
Blacking, John. 1986. “Identifying Processes of Musical Change,” The World of Music, Vol. 28, No. 1, 3-12.
Paredes, Americo. 2001. “Folklore, Lo Mexicano, and the Proverb.” In The Chicano Studies Reader: An Anthology of Aztlan: 1970-2000. Noriega, Chon, and Eric Avila, eds.Spencer, Jonathan. 1996.” Symbolic Anthropology,” in Encyclopedia of Social and Cultural Anthropology, eds. A. Barnard and J. Spencer, London: Routledge, 535-539
Gourlay, Kenneth. 1982. “Towards a Humanizing Ethnomusicology,” Ethnomusicology Vol. 26, No. 3, 411-420.
Seeger, Anthony. 1979.“What can we learn when they sing? Vocal Genres of the Suya Indian of Central Brazil,”Ethnomusicology Vol. 23, No. 3:373-394 .
Roseman, Marina. 1987. “Inversion and Conjecture: Male and Female Performance Among the Temiar of Peninsula Malaysia,” in Ellen Koskoff, editor, Women and Music in Cross-Cultural Perspective, Urbana: University of Illinois Press, 131-149.