REVISED INDEX TO THE MCPHEE COLLECTION

Updated inventory by Celine Baldemor, Spring 1996

Updated by Jay Keister and Sam Sotelo, March 1995

Updated by Grace M, February 1993

Items marked with an asterisk (*) have been declared missing between June 1977 and March 1995.

• USA passport issued 3/22/61
• British passport issued 5/9/34
• International certificate of vaccination
• Birth certificate from Montreal, Canada
• Social security card (in envelope)
• Admission permit to Dutch East Indies issued 9/24/37
• Re-entry permit to U. S. issued 12/4/36
• Business card (taped on white paper)
• immigrant ID issued at Java, 12/31/34
• Obituary article from New York Times, 1/8/64
• Obituary article from New York Times Western Edition, 1/8/64
• Obituary article from New York Herald Tribune, 1/8/64
• Death certificate, 1/7/64

• list of awards/grants, publications, and compositions (handwritten notes on other side)
• clipping of a one-column biography, source unknown (stained paper)
• clipping of a one-column biography, source unknown
• promotional brochure including a biography, a list of compositions, recordings, and published books; produced by Broadcast Music Inc. (BMI), three-fold
• one paragraph biography on half sheet
• date correction on previous bibliography by Steve Fry on small piece of paper
• list of publications and compositions, on stained onion skin, 1 page
• biography, 1 page carbon
• detailed list of musical works, publications and recording, 1 page carbon
• biography, 2 pages carbon
• biography and list of publications with edits in pencil, 2 pages
• list of publications, on onion skin, 1 page carbon
• list of publications, recorded music, works in progress, 1 page carbon
• brief biographical note, 1 page carbon
• brief biographical information, list of musical works performed by different orchestras and choral groups, written for special events, onion skin, 1 page carbon
• rough draft of biographical article, on yellowish grid paper, 2 pages
• autobiography including musical education, works, field research experience, 2 pages (1st page is torn)
• "Additional notes, 1957," onion skin, 1 page
• list of published works, recorded music, books and monographs, compositions, onion skin, 2 pages
• "John Simon Guggenheim Memorial Fellows, 1942" clipping, in 3 pieces, glued to onion skin
• biography for Who’s Who, August 1942, 1 page carbon
• biographical citations, 1 page with handwritten additions
• biographical note, 1 page carbon
• photocopy of biographical note
• printed program from the American Academy of Arts and Letters and The National Institute of Arts and Letters, 5/26/54; McPhee acknowledged on center page; enclosures: recognition signed by Connelly, clipping from program
• annual supplement to biobibliography, on pink form paper
• biographical information, 3 paragraphs, carbon copy on yellowish grid paper
• biographical notes in small type, 2 pages carbon
• biographical notes, same contents as previous with corrections, 2 pages carbon
• Request for Report on Loyalty Data, 4/2/48
• photocopy of pp. 253-254 from Composers in America, 1947
• program notes, 1 page torn from unknown program
• biographical notes for WNYC Municipal Broadcasting System, 11/6/55

3 Sampih - obituary (1954) 2 items

• clipping from New York Herald Tribune, May 3 (?), 1954; business card taped to paper; same clipping on reverse side
• same clipping taped on paper

1. 4 Correspondence: Margaret Mead 9 items

• TNc. McPhee to Mead responding to her offer to waive royalties, 1/3/63
• HS. Mead to McPhee regarding his plan to go to Bali; on 6 x 7 personal stationery, 2/27/63, 3 pages
• TS. Mead to McPhee, on 6 x 7 personal stationery, with handwritten notes on reverse side, 4/16/63
• TN. Mead to McPhee on 5 1/2 x 8 1/2 stationery, regarding 2 volumes of Van der Tuuk , 3/7/ 63
• TNc. McPhee to Mead regarding his inability to undertake a project because of his physical condition, 9/10/63,
• Mead to McPhee. Christmas photocard, 12/21/62, handwritten notes on reverse side
• TS. Marriotte Churchill to McPhee regarding Java manuscript and other materials sent to him, 9/5/62
• TS. Mead to McPhee regarding gamelan sketches, 12/12/62
• TSc. Mead to McPhee saying "Sorry", 12/12/62

5 Correspondence: Jaap Kunst, J.S. Brandt-Buys, Ernst Schlager 7 items

• TS. Kunst to McPhee regarding brochures and book on Javanese music, 6/27/49
• TS. Kunst to McPhee regarding Javanese and other non European music records, no date (maybe February 1949)
• TS. Kunst to McPhee complimenting him on his article in Music Quarterly, 10/23/49
• TS. Kunst to McPhee regarding discrepancies in Kunst’s writing in 1924 and McPhee’s findings, 11/23/49, 2 pages
• TS. Schlager to McPhee regarding his own study of Balinese music, 3/11/48, with handwritten notes on reverse side
• TS. A. Widjojoatmodjo (The Netherlands Information Bureau) to McPhee in response to McPhee’s queries, 9/14/42, 2 pages
• TS. Johann Sebastian Brandt-Buys to McPhee, 9/9/38, in Dutch, 3 pages, with handwritten notes and corrections

• 4/12/49, regarding Indian music
• 4/20/49, regarding materials sent to McPhee
• 4/27/49, regarding more information on Indian music, 3 pages
• 4/27/49, regarding Indian drum playing styles
• 5/9/49, regarding ritual drum music,
• No date (probably May 1949), regarding Buddhist and Hindu interrelationships, 2 pages
• 5/24/49, regarding correction of previous letter, torn from longer sheet, with handwritten notation on reverse side
• 5/25/49, regarding Indian scales (ragas), with handwritten corrections, 2 pages, second page with glue stains
• 5/28/49, regarding translations and derivations,
• 6/15/49, regarding origins, 1 page 2-sided
• 6/19/49, regarding polyphony and articles related to it, 1 page 2-sided
• 6/22/49, regarding Abhinaya, 1 page 2-sided
• 7/13/49, description of Nirgita Vadya, 2 pages signed, second page glued
• 7/1/49, response to McPhee’s queries, 3 pages, with handwritten corrections
• 7/14/49, more about Nirgita Vadya, on long sheet
• 12/1/49, regarding McPhee’s comments on Nirgita Vadya,
• 4/5/50, different definitions of terms: samscrita, sangita, etc., 3 pages, small diagram attached
• 4/30/50, comments on the word "Dhira," on long sheet
• 7 Correspondence: Sidney and Henry Cowell 15 items
• TS. McPhee to Sidney, regarding Henry’s condition, "Sunday," no date
• TS. McPhee to Sidney, regarding McPhee’s piece, "Tuesday,"
• TS. McPhee to Sidney, regarding endorsements for McPhee’s film, "Thursday," no date,
• TS. McPhee to Henry and Sidney, regarding developments with McPhee’s film, "Monday," no date (c. 1950?)
• TN. McPhee to Sidney, regarding problems with the film project, 7/22, no year
• TS. McPhee to Sidney, regarding film project, 10/13, no year; reverse side has another letter regarding satisfactory reports on film project
• TS. McPhee to Sidney, regarding book publishing, "Monday," no date,
• TS. McPhee to Sidney, regarding cats, food, cooking, "Tuesday," no date, 2 pages
• TS. McPhee to Sidney, regarding current activities, developments about the film, etc.; "Tuesday," no date
• TS. Sidney Cowell to McPhee, regarding her and Henry’s sickness, "Saturday evening," no date
• TS. McPhee to Henry, regarding his request for an address; "Saturday," no date
• TS. McPhee to Henry, inviting him to visit at Hotel Chelsea; "Tuesday," no date
• TS. McPhee to Sidney, regarding giving work for Charles to do; "Friday," no date
• TS. McPhee to Sidney, regarding miscellaneous problems with the house; "Monday," no date

• Postcard. "P.B." in Amsterdam to McPhee, 6/12/48 (Peggy Bate, née Peggy Glanville-Hicks - composer and friend of McPhee who was in Amsterdam for the ISCM festival)
• HS. Rantun to McPhee, in Balinese (?), 2/18/56
• TS. A.A.M. Djelantik (a physician) to McPhee giving his comments on A House in Bali and inquiring about American life and culture, 2/18/47, 4 pages, 4th page torn
• HS. Dr. Lancelot Barnes to McPhee congratulating him on his book, 6/14/51, 1 page
• HS. "Max" to McPhee expressing his gratitude, no date, 1 page
• HS. "Lorraine D." to McPhee saying "Happy New Year," 1/5/61, on lined paper, 2 pages
• HS. Phillips (?) to McPhee in French, no date
• Short note from McPhee to R.M. Indrosugonaho "in remembrance of a few days together," 10/52

• TS. Nikolas Nabokov to McPhee inviting him to the conference, 11/21/60, 2 pages
• TN. Alain Danielou to McPhee outlining the topics for the conference, 12/15/60, 2 pages, signed by his secretary
• TNc. McPhee to Nabokov asking if he could still participate in the conference after previously declining, 1/3/61
• TNc. McPhee to Danielou reconsidering his participation in the conference, 1/5/61
• TS. Nabokov to McPhee regarding some uncertainty with travel funds, 1/10/61
• TS. Martha Geesa (Office of Cultural Exchange) to McPhee regarding travel details, 3/17/61, 2 pages. Enclosure: U.S. grant authorization form
• TNc. McPhee to informing her of changes in travel plans, 4/10/61
• Purchase order, receiving report and voucher, issued 4/18/61 by the U.S. Embassy in Tokyo, 2 pages
• Foreign service travel voucher, stamped 4/20/61
• TS. Katsujiro Bando (Society for International Cultural Exchange) to McPhee thanking him for his participation in the conference, 5/20/61
• Empty envelope from Congres pou la Liberte de la Culture, postmarked 2/8/61
• Tentative program of the East-West Music Encounter, 2 pages
• Provisional schedule of East-West Encounter
• Program for festival at conference, in French
• Newspaper clipping: "Music Encounter in Japan" by Eloise Cunningham, source unknown

• TNc. McPhee to Nicholas Elsier Jr. (Theodore Presser Co.) apologizing for delay in returning contracts, 1/6/63
• TS. Oliver Daniel (BMI) to McPhee clarifying information about orchestral parts, 1/7/63
• TS. Elsier to McPhee about some corrections and returning the contracts for re-signing, 1/8/63
• TNc. McPhee to Daniel responding to his letter of 1/7 about orchestral parts, 1/12/63
• TS. Daniel to McPhee regarding the completion of BMI commission and inquiring about McPhee’s piano concerto, 1/16/63
• TI. Carl Sigmon (American Composers Alliance) to McPhee inquiring about Paul Earl’s qualification for membership, 1/18/63
• TNc. McPhee to Daniel responding to letter of 1/16 and trying to find a writer, 1/18/63
• TNc. McPhee to Roger Goeb (ACA) sending him a copy of the pocket score of "Concerto for Wind Orchestra," 1/18/63
• TS. Calvert Bean Jr. (Presser Co.) to McPhee regarding receipt of a copy of "Kinesis" and "Invention," 1/25/63
• TSc. McPhee to Elsier returning the contract in order, 1/20/63
• TNc. McPhee to Sigmon recommending Paul Earls for membership in ACA, 2/2/63
• TS. Sigmon to McPhee thanking him for offering scores to use for publicity purposes, 2/27/63
• TL. McPhee to Elsier inquiring about the republication status of "Kinesis" and "Invention," 5/11/63, c
• TNc. Leonard Feist to Daniel regarding misinformation in sales catalogs about scores and parts, 5/24/63
• Information on "Tabu-Tabuhan" for the catalog of the Edwin Fleisher Music Collection at the Free Library of Philadelphia, dated 5/24/63
• TS. Theodore A. Seder (curator for Fleisher Music Collection) to McPhee regarding the acquisition of "Tabu-Tabuhan" score, 5/28/63
• TS. Walter Hinrichsen (president of C. F. Peters Corp.) to McPhee outlining royalty report, 6/23/63
• TS. Daniel to McPhee regarding requests for advance royalty requests from ACA, 9/16/63
• James Sample (music director of Erie Philharmonic Society) to McPhee requesting to see a symphony score, 8/9/62
• TNc. McPhee to Sample responding to request for score, no date
• TS. Elsier to McPhee regarding contracts for "Kinesis" and "Invention" never received, 3/26/62
• TS. Elsier to McPhee regarding contracts with Peters Corp. and responding to letter of 8/7
• TNc. McPhee to Elsier responding to two letters regarding copyrights and other legalities of publishing McPhee’s music, 8/16/62, 2 pages, page 2 dated 8/7/62
• TS. Hinrichsen to McPhee regarding his inquiries on royalties and the publication of the Concerto score, 8/28/62
• TS. Elsier to McPhee responding to McPhee’s letter of 8/16 and giving explanations to the prior misunderstanding about publishing, 8/31/62
• TNC. McPhee to Daniel regarding a new symphony in the making, 9/2/62
• TL. McPhee to Hinrichsen expressing "delight: at the recent performances of his Concerto, 9/3/62, c
• TNp. McPhee to Charles Whittenberg (ACA) giving him an orchestra list with corrections, 9/3/62, 3 pages
• TS. Hinrichsen to McPhee regarding publishing his Symphony No. 3, 9/5/62, 2 pages
• TS. Whittenberg to McPhee answering McPhee’s inquiries about performance notices in ACA Bulletin, 9/10/62
• TS. Whittenberg to McPhee regarding his nomination for a feature article about him, 9/28/62
• TNc. McPhee to Elsier regarding copies of "Kinesis" and "Invention" and some corrections, 9/30/62
• TNc. McPhee to Whittenberg expressing preference that Peggy Glanville-Hickes write the article about him, 10/5/62
• TN. McPhee to Boosey and Hawkes Inc. returning a copy of a score, 10/9/62, 2 copies
• TNc. McPhee to Hinrichsen regarding royalties and delays in publishing score for "Concerto for Winds," 10/31/62
• TS. Hinrichsen to McPhee responding to McPhee’s 10/31 letter, 11/2/62
• TN. McPhee to Hinrichsen regarding contracts and McPhee’s receipt of the scores of the concerto, 12/22/62
• TS. Hinrichsen to McPhee regarding publishing symphony in large size, 12/27/62, 2 pages. Enclosure: score for sample size
• TS. Carl Haverlin (BMI) to McPhee offering a commission to compose an orchestral work, 6/30/60
• TNc. McPhee to Haverlin accepting the invitation and giving details of the prospective work, 6/5/60
• TS. Haverlin to McPhee acknowledging his acceptance of invitation, 6/7/60
• TS. Haverlin to McPhee sending a check for the commission, 6/15/ 60
• TS. Hinrichsen to McPhee not giving Peters Corp. authorization to publish pocket score, 8/18/60
• TS. Robert Whitney (The Louisville Orchestra) to McPhee about rehearsing McPhee’s symphony, 1/7/58, handwritten notes in pencil
• TNc. McPhee to Goeb about a copy of 2-piano version of concerto for piano and wind octet, 3/5/58
• TS. John Barnett to McPhee regarding success in performance of Tabu-Tabuhan, including specific placement of instruments for best aural/visual effect, 3/17/58
• Cowell to McPhee regarding changes in administration with New Music Edition, 9/12/58, 2 pages
• TS. Frederick Linck (Presser Co.) to McPhee about signing a new contract, 12/12/58
• HS. Charles Gigante (Tri-City Symphony Orchestra) to McPhee regarding Tabu-Tabuhan, 12/27/58; enclosures: copy of letter to Kurt Stone, orchestra list, drawing of cymbals, p.s. regarding congas and marimba
• TS. Morris Golde to McPhee regarding inability to attend the WYNC American Music Festival, 2/18/55, handwritten notes on reverse
• TNc. McPhee to "Hugh" (Huntington Hartford Foundation) regarding passages in Tabu-Tabuhan score that need attention, 10/15/n.y., 2 pages
• TSp. Goeb (ACA) to "member": regarding report from copyright committee, 11/12/57
• Telegram. Charles A. Wall (Associated Music Publishers) to McPhee about acquiring all rights in Balinese composition, 10/20/53
• Signed list of 2 compositions and respective publishers
• Subscription renewal form for New Music Quarterly Recordings
• Signed ACA library receipt form for "Four Iroquois Dances" dated 6/25/56
• transcription on 1/3 sheet manuscript paper
• "Errata in ‘Kinesis’"
• "Errata in ‘Invention’"
• AMP Scores catalogue with McPhee’s Tabu-Tabuhan circled in red
• Peters Edition list of Contemporary Orchestra Works with McPhee’s Concerto listed, 2 copies

11 Correspondence: UCLA Music Department 14 items

• HS. Carl Warren (Yale University) to Ann [Breigleb] informing her when he would be at the Ethnomusicology Archive, no date
• TS. Mantle Hood to McPhee inquiring about specifics of some arrangements, 2/26/60
• TS. Robert U. Nelson to "McFee" inviting him to teach three courses at UCLA’s Music department, 6/27/60
• TS. McPhee to Nelson accepting the invitation with reservations about teaching a seminar in harmony, 7/4/60
• carbon of previous letter
• carbon of previous letter
• TS. Nelson to McPhee extending the invitation to one year with the possibility of teaching a composition class, 7/12/60
• TNc. McPhee to Nelson regarding clarification about his stipend
• TS. Nelson to McPhee clarifying the discrepancy about his salary, 7/25/60
• TS. Nelson to McPhee regarding requests for equipment, 7/28/60
• TS. William Melnitz to McPhee expressing concern about McPhee’s inability to teach because of ill health, 11/6/63
• HN. McPhee to Melnitz thanking him for his generous gift, no date
• TS. John Darling (Australian National University) to Hawkins regarding McPhee’s film on Bali, 10/28/79; enclosure: note from Anthony Forge regarding John Darling’s credentials dated 6/22/79
• Carol J. Oja (Institute for Studies in American Music) to Ann Briegleb regarding McPhee Collection, 2/3/81

• TS. Donald Goodchild (American Council of Learned Societies) to McPhee regarding a reward amount, 6/5/50
• TNc. McPhee to Felicia Geffen regarding loan repayment, 1/10/56 [year crossed out]
• TS. "Felicia" (National Institute of Arts and Letters) to McPhee regarding loan, 10/1/58
• TNc. McPhee to Geffen regarding balance on loan, 1/5/59
• TS. Geffen to McPhee regarding possibility of another loan to complete book on Bali, 6/3/59
• TNc. McPhee to Douglas Moore regarding grant for book, 12/20/59
• TN. McPhee to "Virgil" regarding book and further grant sources, no date
• TNc. Same as previous letter with some corrections, 1/29/63
• TS. Virgil Thomson to McPhee informing him of UNESCO’s limited sources for grants, 1/30/63
• TNc. McPhee to Nikolas Nabokov proposing his plan to return to Bali and the possibility of a UNESCO grant, 2/8/63
• TS. Nabokov to McPhee forwarding McPhee’s letter to the International Council of UNESCO since he is no longer on the committee, 2/25/63

• TS. Raden Suwanto (Embassy of Indonesia) to McPhee giving comments on the film and offering any help with the project, 8/10/50
• TNc. McPhee to Felix van Lamsweerde (Royal Tropical Institute) regarding English edition of Kunst’s and Goris’ book, 9/17/61
• registered mail receipt to Jane Olson, 9/13/61
• list of names of people to receive notice of publication, 2 pages
• list of societies; publications, reviews and journals to receive review copies
• TN. McPhee, no addressee, regarding proofs of his book, no date
• TN. Norman Donaldson to McPhee (?) regarding publication agreement, production costs, royalty, etc., no date
• TS. Eugene Davidson (Editor) to McPhee expressing desire to see manuscript of his book, 6/18/56
• TNc. McPhee to Carl (no last name) regarding corrections on musical examples in the book, 7/6/56
• TNc. McPhee to Rosenthal regarding specific problems of transcriptions for book, 7/11/no year
• TNc. McPhee to Rosenthal regarding specifics of transcriptions, 7/14/no year, 2 pages
• TS. Eugene Davidson to McPhee regarding the reader’s comments on the book, 7/17/56
• TNc. Mantle Hood to Davidson commenting on McPhee’s book and its market for publication, 7/27/56
• TS. Davidson to Hood thanking Hood for his comments on the book, 10/1/56
• TS. Davidson to McPhee regarding publication status of Music in Bali, 10/23/56
• TNc. McPhee to Davidson about preparing scale charts and musical examples for publication, 10/28/(56)
• TNc. McPhee to Davidson about scale charts, musical examples, maps and other diagrams, photos for inclusion in the book, 10/29/56
• TS. Davidson to McPhee regarding estimates from the printer, 9/16/57
• TNc. McPhee to Davidson regarding funding from Bollingen Foundation and inquiries about publication scheduling, 11/17/58
• TS. Roberta Yerkes (Associate Editor) to McPhee suggesting changes in the manuscript, 11/20/58, 2 pages
• TS. Yerkes to McPhee regarding the book’s format and setting up a conference, 2/13/59
• TNc. McPhee to Richard Walsh (John Day Co.) asking permission to use photos of Balinese instruments from House in Bali for the new book, 3/15/59
• TS. Walsh to McPhee giving him permission to use the pictures, 3/16/59
• TNc. McPhee to Douglas Moore (Columbia University) inquiring about a possible grant in order to finish work on his book, 5/28/59
• TNc. McPhee, no addressee regarding use of italics in the manuscript, no date, 2 pages
• TNc. McPhee to Donaldson inquiring about contract agreement for publishing, 6/4/59, 2 pages
• TS. Donaldson to McPhee responding to his questions, 6/9/59
• TNc. McPhee to Donaldson returning the contracts and inquiring about copyright for musical material, 6/14/59
• TS. Jane Olson (Editor) to McPhee answering his questions about copyright, 7/7/59
• TS. McPhee to Olson regarding specifics on scale graphs, 10/6/59
• TNc. McPhee to Olson regarding specifics of italicized words, material for appendix, 9/8/60, 2 pages
• TNc. McPhee to Olson, more about italics and cost of photographing a palm leaf manuscript, 8/22/60
• TS. Olson to McPhee sending him Photostat copies of original drawings for McPhee to check, 11/18/60
• TN. Elizabeth Swift to McPhee making editorial comments, 2/1/61 "copy"
• TS. Olson to McPhee regarding corrected drawings, photograph captions, illustrations, etc., 2/3/61, 2 pages
• TS. Olson to McPhee following up on edited manuscripts, 3/23/61
• TS. Olson to McPhee regarding details on manuscript corrections, 6/20/61, 2 pages
• TNc. McPhee to Ruth McVey (Yale University Southeast Asian Studies) requesting bibliographic information on a certain handbook on Indonesia, 8/17/61
• TS. McVey to McPhee responding to his inquiries on the book, 8/31/61
• TS. McPhee to McVey thanking her for the information, 9/11/61
• TNc. McPhee to Olson returning re-typed pages, bibliography and other editorial correction, 9/13/61, 2 pages; enclosed 6 pages of specific instructions
• TNc. McPhee to Olson, more details and corrections, 9/13/61, 2 pages
• TS. Olson to McPhee about finishing the styling of the manuscript, 9/15/61
• TS. Swift to McPhee requesting scale charts and diagrams, questions regarding spelling changes and miscellaneous questions, 11/3/61, 2 pages
• TS. Olson to McPhee, questions about table of contents, reference appendices, 11/31/61, 2 pages
• TS. Olson to McPhee informing him that his book has gone to the printer, 1/12/62
• TS. Rosenthal to McPhee assuring him of the competency of the people involved in the production of his book, 1/31/62
• TS. Olson to McPhee asking him to return the charts with corrections, 6/6/62
• TS. Olson to McPhee about questions on musical examples, 6/21/62
• TI. Olson to McPhee, carbon of previous letter
• TS. Olson to McPhee requesting return of corrected musical examples and charts, 6/29/62
• TNc. McPhee to Olson expressing desire to edit music proofs himself, discussing cost of mailing the materials, 7/1/62, 2 pages
• TS. Olson to McPhee responding to his question about Yale paying for postage, 7/3/62
• TNc. McPhee to Olson sending her the music proofs with corrections, 7/16/62
• TNc. McPhee to Olson sending her the corrected charts and diagrams, 7/17/62
• "Bill for Services" for two drawings
• TS. Olson to McPhee acknowledging receipt of music proofs, 7/18/62
• TNc. McPhee to Rosenthal commending him on his work on the musical examples, 7/21/62
• TS. Olson to McPhee informing him about the status of the book, 7/25/62
• TNc. McPhee to Olson asking for second proofs of music examples and charts, 9/5/62
• TNc. McPhee to Olson expressing concern about the delays with second proofs, 9/30/62
• TS. Olson to McPhee assuring him that the book production is on schedule, 10/1/62, 2 pages, handwritten notes on reverse side
• HS. Arthur Smith to McPhee regarding Photostats, 10/2/62, notes on reverse
• TS. Olson to McPhee regarding lettered material for musical examples set in type for better quality, 10/12/62
• list of charts with comments in pencil
• TNc. McPhee to Smith commending him on a "perfect job" with the correction, 10/14/62
• TNc. McPhee to Olson sending her the same proofs as sent to Smith, 10/17/62
• TN. McPhee to Anne Wilde sending her information/lists requested, 11/18/62; enclosures: 5 pages
• TS. Olson to McPhee sending him a copy of an announcement for the book for the Yale Press catalogue, 11/26/62; enclosure: catalogue copy
• TS. Olson to McPhee assuring him that corrections will be made by Rosenthal as soon as they are received, 12/7/62
• TSp. McPhee to Olson sending her second music proofs insisting on changing the type for certain pages, 12/16/62, 2 pages
• TNc. McPhee to Olson regarding postage costs, and informing her that he is working on the galleys and page proofs, 12/19/62 (?), on yellow pad
• TNc. McPhee to Rosenthal sending him second proofs, 12/19/62, on yellow pad
• TS. Olson to McPhee agreeing that changes need to be made with figures which are too small, 12/20/62
• TS. Olson to McPhee acknowledging receipt of package of second proofs, 12/26/62, signed for Olson by LK
• TNc. McPhee to Wilde sending lists of publications she requested for reviews, 12/31/62
• TNc. McPhee to Olson sending her a list questions regarding corrections, acknowledgments, etc., 1/5/63, 2 pages
• TS. Olson to McPhee answering his questions, 1/10/63, 2 pages
• TS. Janet Carlson (Promotion Department) to McPhee giving him a proposed list of places to receive review copies of his book, 1/11/63, 2 pages
• TS. Olson to McPhee informing him of applied changes and explaining delays, 1/22/63, 2 pages
• TIc. Olson to McPhee sending him the caption copy and the dummy for the illustration section for checking, 1/25/63, with handwritten note on tope left corner
• TNc. McPhee to Olson inquiring about two charts which seems to be out of order plus other corrections, 1/27/63, 2 pages
• TNc. McPhee to Olson regarding picture for the jacket, corrections for the captions, etc., 2/2/63, 2 pages
• TNc. Carbon of previous letter; enclosure: correction on type and numbering of captions, on yellow paper
• TS. Olson to McPhee discussing overall effect of the picture section, agreeing on the use of a photo for the jacket, 2/7/63
• TNc. McPhee to Olson about more corrections and details with the type, 2/10/63
• TNc. McPhee to Olson asking about material Smith was supposed to send, 2/18/63
• TS. Olson to McPhee regarding changing the type for the picture section as well as other changes he asked for, 2/18/63
• TS. Olson to McPhee sending him copies of some plates for rearranging the sequence, 2/20/63
• TS. Olson to McPhee sending him extra copies of Spring 1963 catalogue, 2/27/63, signed for Olson by LK
• TS. Olson to McPhee telling him the next step is to check the paste-up, 3/28/63
• TS. Olson to McPhee following up on progress of the paste-ups, 4/24/63
• TS. Olson to McPhee telling him that the jacket is in productions, 5/2/63
• TS. Olson to McPhee regarding correction not needing to be listed separately, 6/4/63
• TNc. McPhee to Olson inquiring about postage and taking note of minor errors, 6/9/63
• TS. Olson to McPhee asking that he send back the proofs the safest way possible, expecting them in a week or two, 6/11/63
• TS. Olson to McPhee asking him for recordings to promote book at the SEM meeting, 6/28/63
• TNc. McPhee to Olson saying that the book would not be ready in time for SEM meeting, 7/30/63
• TNc. McPhee to Olson stating difficulty in working, 10/1/63
• TNc. McPhee to Olson sending material in 5 or 6 packages, 8/18/(63)
• Yale University Press author’s information sheet for publicity and copyright, 3 pages

• Creamed spinach, baked eggplant, fruit salad, 3 pages
• Biscuits, etc. on yellow pad

• Bali studio (Pegamboehan sketch in pencil, front view, cross-section, faces and masks
• Floor plan in pencil, some measurements
• Sketch of staircase, detailed
• Floor plan and facade titled Dari Moeka
• Floor plan including living room and facade, in pencil

• Notes on China with pencil drawings on blue paper
• History on Chinese music - pitch differentiation, instruments, opera, etc., 4 pages
• "Classical conceptions of music"
• Chinese theater, drama types, character types
• Chinese music, Wang Kuang Ki, tuning method, and scale, 6 pages
• Han dynasty court music
• Eastern musical terms - Arabian, on blue paper
• Comparison of neume notation of European and Chinese music
• Japanese music influenced by China; instruments, styles of music, koto, 2 pages
• Music and musical instruments from Japan from F.T. Piggott, 2 pages
• Japanese theater forms: bunraku, kabuki, noh, 5 pages
• Maori vocal style by Anderson, 3 pages
• Notes from Hornbostel’s African Music, 2 pages
• Greek modes
• African Negro Music by Hornbostel, 23 pages including transcriptions
• Pentatonic scales in Greek, Egyptian, Hebrew music; Gregorian chants

• Meri and Natya, 2 pages
• Raga from Sachs’ book, pp. 72-3
• List of vocabulary with definitions included: instruments, ragas, rhythmic and dance concepts, 4 pages
• Definitions/vocabulary related to dancing: gestures, postures, mudras, 2 pages
• Bharata
• Excerpts from Dance in India by G. Venkatachalam, 3 pages
• Notes on Hindu music, 6 pages on lined paper
• Gayana
• Dance traditions of South India, 16 pages

• Sequence of lectures, notes on yellow paper
• Descriptions/notes on musical examples on tape
• Diagram for drum strokes for right and left hands
• Notes on scales and their differences, with transcriptions, 4 pages
• List of topics and page numbers (?), on yellow paper
• Midterm, 2 pages
• Final exam, 2 pages

• Oil lamp on table
• Cardboard cut out
• One-point perspective drawing of bedroom as seen from doorway
• Carbon of landscape
• Crayons on tracing paper
• Lion and man struggling, pencil
• Woman in different poses, pencil
• Woman on horse, bird’s eye view, pencil
• Duckling, 2 angles, pencil
• Fish, pencil, shaded
• Ringmaster, pencil
• Window
• Piano
• Bear, rooster
• Fish, different views with shading, conch shell
• Flowers
• Tracing of flowers
• Female and serpent, pencil on tracing paper
• Lion and man
• Pelican
• Cougar
• Old man, buffalo
• Hibiscus flower, different views
• Female and serpent
• Flowers in a vase
• Fire breather
• Elephant and ring master

• Chinese records, 1 page plus carbon
• Program of Chinese music, 36 minutes
• Miscellaneous titles with English and Chinese notes, 22 pages
• List of record numbers and titles
• Antique China, Japan, 2 pages on blue paper
• Japanese and Javanese records with descriptions
• List of discs, numbers and titles, handwritten in pencil
• Java, title, artist, description, and number, 7 pages
• Sunda music, title, performer, instruments, mode and record number
• Burmese records, title and brief descriptions
• Burma: instruments and numbers

• Description of people at his table in the ship’s dining area, 3 pages
• Balinese traveling on the bus, 2 pages
• Colombo to Kandy, a three hour drive - food, view, toilets, 2 pages
• Batavia notes - stores and shops
• The market’s different sections, 2 pages
• Yogyakarta sights, excursions, buildings
• Solo - recipe for shrimp sate and Singapore gin sling
• Soerabaja - list of places visited riding a taxi or on horseback, with a hand drawn map
• Sumatra - places to see, guide to sightseeing, excursions, 3 pages
• Sumatra daily travel log, driving from one place to another, 4 pages
• List of places to see and stay in Sumatra and Solo
• List of places to see and stay in Batavia
• List of restaurants in Peking

• Diagram (top view) of placement of gamelan instruments
• Diagram of gongs
• Gamelan Pelok Djogkjakarta description of tuning
• Notation, Ladrang Oelek-Oelek
• Notation, Djageong Djageong
• Notation, Tawang Gandjoer
• Notation, Sembeong Gilang
• Notation, Ladrang Kondo Manjoero
• Notation, Leong Gadeong
• Notation, Babar Lajar
• Notation, Cantus Firmus of Trompongbang
• Notation, Bindri
• Notation, Ardjoena Mangsah
• Rhythmic notation for Latin instruments
• Notation, Ladrang Djabang Baji
• List of gamelan instruments with some description
• List of albums, type of gamelan, scale, patet and title
• Transcriptions on one side, Program for Mardigoeno on reverse side
• List of pelog and slendro tunings and gamelans, diagram
• Diagram of gamelan instrument placement

• Map torn out of book, photo of Armed Forces of Indonesia on reverse side
• "Indonesia Illustrated" featuring batik

(In envelope)

• Topographical map of Bali, folded
• Large map of Bali, blue ink
• Bali map, 1:250,000 scale
• Hydrographic map of Bali

List of Gending (Compositions)

• Segara
• Gending without a name, 2 pages
• Sekar Jepun ( No. 2)
• Kerangian
• Padawa
• Gangsar (No. 1, no name)
• Gangsar (No. 2, no name)
• Sekar Eled
• Gagak, 2 pages
• Mereng
• Pengegir
• Soebandar (No. 2)
• Toewoeng Koening, Yellow Eggplant
• Djagoel
• Lulah Manid
• Djeleka
• Gerebeg Payangan, Gerebeg PengorasSemarang Bangkok, 3 pages
• Alis Bintang
• Mangis Kosning
• Galang Boslan
• Lasem
• Setangah Lari
• Soelan Soelan
• Senoera
• Prianom
• Plajon
• Gendis, 2 copies
• Lasem Bangli, 2 pages
• Madora
• Lasem 9Nanang Menbil)
• Tabuh Lasem
• Kabor
• Loedira
• Soedoek Maroe
• Lasem
• Domba
• Bramara
• Lasem Djeleka (variant), 2 pages
• Soedoek Merce, 3 pages

List of Gending (Compositions)

• Segara
• Gending without a name, 2 pages
• Sekar Jepun ( No. 2)
• Kerangian
• Padawa
• Gangsar (No. 1, no name)
• Gangsar (No. 2, no name)
• Sekar Eled
• Gagak, 2 pages
• Mereng
• Pengegir
• Soebandar (No. 2)
• Toewoeng Koening, Yellow Eggplant
• Djagoel
• Lulah Manid
• Djeleka
• Gerebeg Payangan, Gerebeg PengorasSemarang Bangkok, 3 pages
• Alis Bintang
• Mangis Kosning
• Galang Boslan
• Lasem
• Setangah Lari
• Soelan Soelan
• Senoera
• Prianom
• Plajon
• Gendis, 2 copies
• Lasem Bangli, 2 pages
• Madora
• Lasem 9Nanang Menbil)
• Tabuh Lasem
• Kabor
• Loedira
• Soedoek Maroe
• Lasem
• Domba
• Bramara
• Lasem Djeleka (variant), 2 pages
• Soedoek Merce, 3 pages

• Function of the gong in Soelan
• Drumming in Gamelan gong
• Parts of a gending
• List of gamelans and respective instrumentation
• Notes on musicians
• Synopsis of Wajang Tjalonarang, 2 pages
• Cast for a complete Chalonarang performance, according to Lebah, a musician
• Wajang Koelit, 1933, regarding dalang and musician interaction
• Transcription of Angkloeng Njioelebel
• Menu (?) on yellow pad paper
• Tones of saih 5 and saih 7, gambang system
• Gong Besi instructions (?) in Balinese
• Ring memenak (Ring Djaban), March 8, in Balinese
• Ritual terms at Odalan, 2 pages
• Notes regarding instruments (?), in Balinese
• February 27, 1938. Sajan. Sekeha gong djelekan noetoerang adan gambelan
• Enumerated notes in Balinese regarding time/duration/moons (?)
• Notes about making wishes (?), in Balinese
• Sanghijang Dedari, March 25, 1938, in Balinese
• Lyrics to songd (?) Pengetjet aderi, pengawak, etc.
• Oetjapan Baris pieces for different gamelan ensembles
• Poera Djalaka, March 8, 1938
• Notes on drumming for Semar Pegoelingan; Legong drumming, 7 pages
• Notes on I Loenjoeh, a musician
• Influences of China on Balinese music
• Notation with emphasis on kajar accent
• Notation for suling, Oebeoed
• Notation for suling, Batoean
• Notation for suling, Tabanan
• Notation for suling, Tabanan
• Notation for suling, Batoean
• Leben Batoean notation
• Baro Batoean notation
• Selisir Batoean notation
• Soenaren Batoean notation
• Temboeng soeling gamboeh Tabanan
• Selisir
• Soeling peamboehan Tabanan
• Pencil notation for suling, transcription on small sheets of paper
• Description of Gambuh kedis, a poem
• Gamboeh kedis, 6 pages
• Orchestration, instructions, instrumentation for Gamboeh
• Tabulation for different gending, 10 pages
• Vocabulary Gamboeh
• Gamboeh Batoean, Banjar ksatria, November 5, 1937, order of characters, scales, suling, rebab, 7 pages
• Handwritten notes in Balinese
• List of Gemboeh
• Instrumentation for Gamboeh kabakaba on small notebook paper
• Gamboeh Tabanan terms
• Handwritten notes in Balinese on a half sheet of paper
• Gending tjalonarang, October 25, n.y.
• Tjalonarang synopsis, November 3, n.y, 2 pages
• Notes on dance, handwritten with drawings in pencil, 2 pages
• Notes on Semar Pegoelingan djoged and gandroeng from book by Jacob and van Bloemen Waanders
• Semar Pegoelingan notes on 1/3 sheet
• Semar Pegoelingan I Bandjar Titih, transcription of scales fro different instruments
• Semar Pegoelingan without genders
• Semar Pegoelingan scales
• Semar Pegoelingan Kamassan
• Tembang (?) selisir with scales transcribed
• Gending Semar Pegoelingan taboeh 3
• Taboeh gari, ginanti and lasem notation
• Notes on Semar Pegoelingan, Geroe Pajangan, March 14, n.y.
• Semar Pegoelingan, miscellaneous notes
• Semar Pegoelingan, asak
• Notes on drumming, one palet
• Scales from the Saih 7 pegambuhan system
• Notes on Koelkoelan with notation for kopiak (bamboon slit drum), June 12, n.y.
• Koelkoel bamboo, selat, April 25, n.y.
• Rice pounding rhythmic patterns as played by men and women
• Description of different poles used for pounding
• Rhythmic notation for pounding rice with different numbers of participants
• Notation for different rhythms for poundig rice, on ms paper
• Numbered list of different pieces
• Notes on angklung
• Angkloeng Pemetjoetan (Bandjar tenten) - distribution of notes in figuration
• Angkloeng Samban instrumentation
• Angkloeng Pemetjoetan (Bandjar tenten) instrumentation, scale
• Angkloeng Sibetan
• Angkloeng Penida instrumentation and scale
• Angkloeng Kebon (Tjoelik) instrumentation, scale and gending
• Kaang-kaang instrumentation, scale and gending
• Angkloeng Djata, Tegalalang-Taro instrumentation, scale and gending
• Angkloeng Sabi (North Bali) instrumentation, scale, lagoe-lagoe
• Angkloeng Bebandem (halfway between Selat and Karangasem) instrumentation, scale, gending, kempur, trompong
• Angkloeng Banjaroema, Selat instrumentation with diagram, scale and lagoe-lagoe
• Notation for a 5-part gending
• Angkloeng Bandjar Boewak instrumentation, repertoire and scale
• Angkloeng Mega Tiga (Tjoelik) instrumentation, scales for genders, kempoer and rejong
• Angkloeng Moentig instrumentation, scale, and lagoe-lagoe
• Angkloeng Kastala (Manggis Karangasem) instrumentation, scale for kempoer, gending, and description of gamelan
• Gamelans and nomeclature: Angkloeng Oengasan, Boekit and Angkloeng Batoema, Noesa Penida
• Abang instrumentation, scale and gending
• Angkloeng Prasi instrumentation, scale, gending and description
• Angkloeng Abian Tihing instrumentation, diagram of orchestra placement, and scale
• Repertopire of Angkloeng Sajan
• Lagoe Angkloeng for Moentig, Bandjar Boewah and Abian Tihing
• Lagoe Angkloeng for Bebandem, Abang and Kebon
• Lagoe Angkloeng for Kastala and Prasi
• Lagoe Angkloeng for Njioetabel and Selat
• Lagoe Angkoeng for Mega Tiga, Kaang-kaang, and Sibetan
• list of names of rhythmic patterns
• Gamelan nandir, Slendro instruments and list of pieces
• Djawa, notes mostly in Dutch, some in English
• Notation for "Frogs", 3 pages on small paper
• List of words with English equivalents
• HLN. Mentions Sampih, in Balinese, 11/2/35
• List of ensembles in different towns, noting how many sets are new and good, on both sides
• Melali ke Gilimanoek, July 1937, 12 pieces in Balinese
• Notes #137 taken from December 1937-March 1938, 8 pages
• Notation of Sedi Manik
• Diagram notation for kempli, kempyong and gong for Gong Koena, on small paper
• Notes on Pengulian Tabuh 1, 2, 3
• Diagram of instrument placement on 1/2 sheet
• Diagrams of instruments and their relative pitches on 1/2 sheet
• Notes on gamelan performances and payment for those performances, on 1/2 sheet
• H notes on Singlatan drumming style
• Construction of gending, Bandjar Djeleka
• Notes from January 30, Taboeh 4
• Notes on Belah Botoeh gending gong, 1938
• Djeleke gending, 1938
• Tjengtjeng Gong Koena rhythmic notation, April 12, 1937, Sajan
• Notes on rhythmic notation dated 4/15/37, Sajan
• notes on Gong Koena technic with rhythmic notation, 5/22/n.y.
• Tjengtjeng tachnics of Tjempaga and Tangaan, 5/22/n.y.
• Rhythmic notation, no title
• Notation for "Battel," a legong dance
• List of drum terms
• Hand drawn map of East Java

• Comparison of guru’s teaching (accurate recollection of past) and Lotring’s teaching (creative imagination)
• Random notes on gongs and musicians
• List of names
• On Balinese cooking
• Ceremonies for birth and death
• Description of characters of people corresponding to each day of the week and the required offerings, 5 pages
• H notes, informationsame as above
• Poera Dalem diagram of isntrument placement
• List of gamelans heard, list of farmers’ food, January 21, n.y.
• Journal entry on a week spent sailing across the streets of Java, 8/15/37
• List of Balinese words with English equivalents, 2 pages
• Description of deity, Lamas/Banaspati Radjah (veins and arteries)
• List of ingredients
• On dancers in trance in the temple
• Description of plays, characters and music
• Kotekan, rice pounding music with transcriptions of scales, January 30, n.y., 2 pages
• The market - gives you an immediate knowledge and feel of a town and its people . . .
• Story of a cockatoo
• Description of listening to the music
• Description of grandeur of gongs and their effect
• The priest and the calendar
• Ida Bagus Gede
• List of tales of Bali
• Detatils
• Anteater and magic charm
• Lotring, Lebah and the guru
• Sampih
• Visitors at the house
• Labels on cups and glassware
• Playing in the gamelan, Lotring
• Women and the clubs
• "All action was suspended . . ."
• Kite-flyers’ club
• Legong dancers, Nyoman
• Sundanese singing, Javanese gamelan
• Comparison of dancing between Njoman Kaler’s wives and some boys
• Lebah’s compositions
• Questions by police, 3 pages
• Holiday in the Bird Mountains
• Priest and holy water, 3 pages
• Epidemic of theft, 3 pages
• The thief in Peliatan, 2 pages
• Transcriptions on small ms paper, no titles, 32 sheets

• Transcription of scale Talawan (?) for lebeng, baro, selisir, soenaren, and soeling
• Njoekebel (?)
• Index of gamelans with page numbers, 3 pages
• Tuning indications in numbers for different gamelans, 26 pages
• Temboeng and selisir relationship
• Slendro tunings
• Double vibrations
• Angklung tunings, with carbon
• Selisir tunings (table)
• Gamelan gong tunings

• "My own translation . . ."
• Poem written for the Balinese in Sinom meter (in Balinese)
• Poem sung by Rantun
• Doerme and Dongdang (?) poems (?)
• Doerma, a poem in Balinese
• Categories of Balinese verification
• Description of ardja theater style
• Tembang ardja list of meters uses
• Tembang ardja
• Doerma with transcription
• Sinom-salija
• Arjuna Wijaya tembang jinada
• Transcription of a song (?) on ms paper
• Ingtay (Sampik) tembang ginada dialogue
• Arja lesson at Singapadu
• Old and new musical styles described
• Description of a music-club rehearsal
• Tembang with syllable numbers and vowel endings indicated, 6 pages
• Gending puchung or chechangkeriman basic scale, melodic range and transcription, 3 copies
• Gending poetjoeng
• Djinada, Dangdang lara lyrics and vowel endings
• Sinom
• Ini pelengkana dari hal Ardja
• Sinom, 18 pages
• C soprano fingering chart for recorder

• Transcription for Rearing Horse
• Transcription for Rearing Horse, reduced on 2 sheets, 2 copies
• Score for Crow steals egss
• Notation for various pieces
• Gending gangsaran
• Tempos
• Definition of words for glossary, 2 copies
• Tabuh 7 penginjan notation and instructions
• Rejang Angklung Sajan
• Hoquet technique
• Notes on gending
• Questions on the pohok gending
• Terminology for musical notation
• Notes on saih pitu
• Similarities between Selisir and Indian rag tilanga
• Description of present study
• Music intervals
• Scales, tabanan and batuan
• Notation table
• Notation of the 7-tone scale for gambuh flute
• Tunings for gending loeang singapadoe
• Description of soeling and its tuning
• Tabu-Tabuhan, inspired by Balinese
• Notation for Longgor
• Instrument list of adeng
• Wilet poepoeh, kidoeng poepoeh, and goeitan tmebang
• Table of instruments according to gamelans in which they are found

• Diagram of gongs, 1/4 sheet
• On gamelan tunigns, 1/2 sheet
• Transcription, handwritten
• Use of barang (7th tone) in pelog bem
• Diagram of instruments showing lowest note of each
• Many dances in 5/4
• Rough diagram of Gender Wajang, 1/4 sheet
• Rough diagram of Angklung, 1/4 sheet
• Notes on gambang system
• Scales of 7 pegambuhan system
• Ginada (?) scale
• Angklung scale
• List of ostinatos for different music pieces (?) or scales (?)
• "The abstract musical idea"
• Instrumentation of 3 ensembles, September, n.y.
• Impressed by size and resonance of gamelan instruments
• Sekaha gong bandjar Djeleko
• On Sekahas (club, society)
• Gong Bocan and Namenja gending gong
• Bandjar posekan
• Kempjang, use of kempli (small horizontal gong)
• Feasts in the five temples
• List of instruments
• Ponggang, rejong and kempli
• Rejong diagrams and scales
• Dagram of chalung and gender
• Notes on krempengan
• Instructions to make a bamboo flute
• Soeling rebaba and genggong
• Scale notation, no title
• Tuning
• Chinese tmeple in north Bali
• Lasem, Koentoel and Djabog compared
• Notes on Gamboeh
• Notes on Soeling, 2 pages
• Three ardja flute tunings and notation, 9 pages stapled
• Map (?)
• Notes from van der Tuuk
• Notes on dancers’ cues
• Plajon, Tab 8
• Use of ponggang
• Gong koena, Melingih (Pajangan)
• Notes on Taboeh; Paketan, Singaradja
• List of gamelans explored
• Gong Bangli
• List of angklungs
• Oema Andjar
• List of angklungs in different towns
• List of gamelans
• Gong koena, Tegalalang
• Wastan Wirame, akeh-kedik tasteranije
• Wastan wirama akeh kidid sastrannja, 2 pages
• Pengilik (?)
• Notes on genggong
• Recreational music
• Notes about Lebah, a musician
• Rejongan, September 29, n.y.
• Comparison of drumming techniques
• Gending genggong, 2 pages
• Gong lolang
• Tjalonarang
• contentson lontar poepoeh gong for Roendoeh, Boeleng
• Modes for gong koena
• Names of gending for gong koena
• Gending written out by I Loenjoeh, Pajangan
• Taboeh gong
• Gending gong, 2 pages
• Gending gong Djeleko
• Pasekan (Ketewel)
• Gending gong Boean (Pajangan)
• Taboeh pat, taboeh lima, taboeh nem
• Topeng, baris, pedjogeden
• Pedjogedan, topeng, baris, barong
• Gamboeh, pelegongan, gong kebyar
• Gamboeh
• Semar Pegoelingan, Gambang, saih pitoe barong landoeng, gending loeang
• Gong koena, 2 pages
• Pelegongan, pereran pelegongan
• Angklung koena
• Angklung biasa
• Gender wajang
• Genggong (soeling melodies), ardja, seloendeng
• Gong koena with drumming
• Catalong
• Semar pegoelingan, 2 pages
• Tunings for selundeng
• 37 Bali field notes/journal IX 22 items
• Dance terms and definitions/descriptions
• Legong notes from Lotring
• Lotring, apropos of music
• Gamelan gong sekatian, July 13, n.y., 2 pages
• Kebyar, north Bali, 1938
• List of terms and definitions, 3 pages
• On the taboehs, Goeroe Pajangan
• Angklung tunings; tjelagi njanjak
• Notes on drums for L’Age du Bronze au Tonkin et dans le Nord Annam by Victor Golobew, 2 pages
• "India"
• Terms and descriptions, 3 pages
• About gendings, traditional vs, adaptations
• Balinese instruments and their javanese counterparts
• Naga Banda
• Different uses of the word "seh"
• On gamelan
• Soeling techniques
• Notation system
• Strokes and their respective symbols (?), 2 pages
• Miscellaneous notes, December 7, n.y.
• Terms and definitions
• Dance terms

• Aasta to awar-awar, 8 pages
• Baak to boja, 10 pages
• Dada to doeroang, 8 pages
• Eboek to etoh, 3 pages
• Gabah to gringsing, 6 pages
• Aasta to awar-awar, 8 pages
• New A words, blank
• Baak to boja, 10 pages
• New B words, bangoa to bebai
• Dada to dot, 7 pages
• New D words, blank
• Eboek to etoh, 3 pages
• new E words, emokan njawan
• Gabah to gringsing, 7 pages
• New G words, goenoeng to genep
• I to iwasing, 2 pages
• New I words, iloet to ideh
• Jan to joeta
• Lanang to loeanan, 5 pages
• Kabeh to kris, 11 pages
• New K words, koewos to keringeh
• Lalab to loenan, 5 pages
• New L words, lelemekan to lengis
• Ma- to moembel, 4 pages
• Na to notin, 11 pages
• Obor to otot, 4 pages
• New O words, blank
• Pa to pontang, 11 pages
• New P words, poees
• Raab to rot, 3 pages
• New R words, raka-raka to rerentjek
• Sa to sorog, 13 pages
• New S words, sangkeringan to soetja
• Tabia to torotoro, 11 pages
• Waas to wani
• Sa to song, 13 pages
• Timbang to torotoro, 7 pages
• Waas to wong, 3 pages
• List of words to check in dictionary
• Handwritten list of words, 2 pages
• Rough list of words and definition, 7 pages
• Handwritten list, 2 pages
• Rough list, 7 pages

Word lists in categories of melajoe, aloes, and kasar, handwritten

• Abang to atooran, 5 pages
• Atten to bri, 10 pages
• Brisi to djongas, 6 pages
• Djrodjak to gadean, 2 pages
• Gading to hantoe, 7 pages
• Kaos to ilang, 2 pages
• Ipar-laki to ladjoe, 16 pages
• Lagi to madjoe, 6 pages
• Madoe nagee, 7 pages
• Naik to nonton, 2 pages
• Noori to orang-poetik, 4 pages
• Orang-laki to pokang, 11 pages
• Pohok to rebooh, 3 pages
• Roda to zina, 14 pages

Typewritten

• Aasta to awar-awar, 4 pages
• New A words, blank
• Baak to bebai, 8 pages
• Dada to dot, 6 pages
• New D words, blank
• Eboek to etoh, 2 pages
• New E words, emokan njawan
• Gabah to gringsing, 3 pages
• New G words, goeneoeng to genep
• I to itjal, 2 pages
• New I words, itoeng to iwasin
• New I words, iloet to ideh
• Jan to joeta
• New J words, blank
• Kabeh to kris, 10 pages
• New K words, koewos to keringet
• Lalab to loeanan, 4 pages
• New L words, lelemekan to lengis
• Madakawi to moemboel, 2 pages
• Na to notin, 11 pages
• New N words, njeleh
• Obor to otot, 2 pages
• New O words, blank
• Pa to pontang, 8 pages
• New P words, poees
• Raab to rot, 2 pages
• New R words, raka-raka to rerentjek
• Sa to sorog, 8 pages
• New S words, sangkeringa to soeetja
• Tabia to torotoro, 8 pages
• Waas to wong, 2 pages
• New W words, blank

• "Euripides modernized" newspaper clipping

• International Composers’ guild concert program, November 1926
• Copy of the program
• Clipping from NY Herald Tribune, December 12, 1926

• Program for Eastman School of Music 12th concert, 2/ 22/29
• Clipping of review from Telephone (Rochester), 2/23/1929
• Clipping of review, source unknown
• Program for Chamber Orchestra of Boston concert, 3/11/29, 5 copies
• Clipping from Boston Globe and Boston Herald, 3/12/1929
• Clipping from Boston Herald, 3/12/1929, P of same clipping on reverse side
• Barrere Little Symphony, Sunday Concerts program, 3/23/30; P of program
• Clippings from NY Evening Post and NY Herald Tribune, from American, and NY Times on reverse side; 3/24/30
• Clippings from NY Evening Journal and New York World, 3/24/30; from NY Times on reverse side, 3/23/30
• Clippings from NY Times and an unknown source, 3/23/30, P on reverse side
• Program for Chamber Orchestra of Boston concert, 4/11/31; clippings on reverse side from NY Herald Tribune, 4/12/31 and from NY Sun, 4/4/31`
• Orquesta Filarmonica 12th year anniversary publication, 1936
• Clipping from NY Times about Composers’ Forum, 11/8/54; same clipping on reverse side
• Same clipping as above (2)
• Clipping from NY Herald Tribune about Composers’ Forum, 11/8/54; same clipping on reverse side
• Clipping from NY Herald Tribune about recording problems 3/6/55, same clipping on reverse side, 2 pages
• Clipping of photo from NY Herald Tribune, 4/3/55

• Clipping from NY Herald Tribune about Composers’ Forum, 11/8/54
• Clipping from NY Herald Tribune and NY Evening Sun about Columbia University Glee Club concert, 4/11/29
• Clipping from NY Evening Post about concert, 4/11/29
• P. Clippings from NY Times, 4/11/29 and from NY Telegraph, 4/12/29
• P. Clippings from NY Herald Tribune and NY Evening Post, 3/14/29
• P. Clippings from NY Telegram and NY World, 3/14/29
• P. Clipping from unknown source, 3/14/29

• Music and Films concert program, 3/15/n.y.
• Music and Films poster, 2 copies
• Clipping from New Haven Times, 4/3/31
• Clipping from NY Sun, 3/16/31
• Clipping form Boston Evening Transcript, 3/18/31
• Clipping from NY Evening Journal, 3/16/31; same clipping on reverse side
• Clipping from NY Evening Post, 3/14/31
• Clipping from NY American, 3/20/31; same clipping on reverse side
• Clippings from NY World-Telegram, 3/14/31 and 3/16/31
• Clipping from NY Herald Tribune, 3/15/31
• Clipping from NY Musical Courier, 3/21/31
• Clipping from Brooklyn Eagle, 3/16/31
• Clipping from NY Musical America, 3/10/31
• Clipping from New Yorker, 3/28/31; from Musical Leader, Chicago, 3/12/31
• Clipping from NY Evening Post, 3/16/31; same clipping on reverse side
• Clippings from Brooklyn Eagle, 3/15/31 and NY Times, 3/8/31 on reverse side
• P. Same as previous clipping from Brooklyn Eagle
• P. Same as previous clipping from NY Times

• Invitation to dinner in honor of McPhee and Aaron Copland, from Carlos Chavez, director of the Orquesta Sinfonica de Mexico, 6/23/36, in Spanish
• Program from Ballet Society performance, 1/13 and 1/14/47, 3 copies
• Program notes, 2 pages
• American Composers’ Association library receipt for Tabuh-Tabuhan, 6/25/56
• Concert series for Orquesta Sinfonica de Mexico, July to October 1936, 4 copies
• Program from Orquesta Sinfonica de Mexico concert for children, 9/5/n.y., 4 copies
• Orquesta Sinfonica de Mexico concert series, June-August 1941
• Ballet Society Yearbook, 1946-47
• Program for Canadian Music at Carnegie Hall, 10/16/53, 2 copies
• Program notes, announcements, ads, Carnegie Hall, Leopold Stokowski, 10/52, 2 copies
• Clipping from NY Times, 10/14/53, same clipping on reverse side
• Clipping from NY Times, 10/14/53 and 10/17/53 on reverse side
• Clipping from NY Herald Tribune, 10/14/53, same clipping on reverse side
• Clipping, same as previous, NY Herald Tribune, 10/14/53, same clipping on other side
• Clipping from MY Times or herald Tribune, 2/19/55
• Review by BMI, 2 copies
• Clipping from LA times, 3/14/58, same clipping on reverse side
• Photo of Carlos Chavez
• Program, Dallas Symphony Orchestra, 1959-1960 season

• Program, from production by Country Playhouse, Westport, CT
• Clipping from NY Herald Tribune, 8/18/40
• Same clipping as previous
• Book: Balinese Wajang Koelit and its Music (McPhee)

Programs and Reviews (1941)

• Program of Balinese Music, arranged for 2 pianos, 2 copies
• Invitation for concert honoring McPhee, given by Orquesta Sinfonica de Mexico, 7/36, 3 copies
• Program of Balinese Music, Java-Instituut Bali-Congres, 6 copies
• Clipping, source and date unknown
• Clipping from El Universal, 7/14/36, in Spanish
• Clipping form NY times, 6/15/41, same clipping on reverse side
• Same clipping as previous, on both sides
• Same clipping from NY Times, on both sides

• ACA Library receipt for "Transitions," 6/25/56
• Program notes to "Transitions" by McPhee
• Program. Vancouver Symphony Orchestra, 3/20/55

• Program. Louisville Orchestra, 1/15,16/58
• Notes to Symphony No. 2, 2 pages
• Instrumentation for Symphony No. 2, plus carbon
• BMI review
• Clipping from Courier Journal, 1/16/58
• Clipping from The Louisville Times, 1/16/58
• Clipping, source and date unknown

• Notes, 2 pages

• Clippings from Le Figaro (Paris), 11/n.d./25; from Le Menestrel, 11/20/25; concert program, 11/9/25
• P. Program, 2/10/n.y.
• P. Clippings from Paris Soir, 11/23/25; from Excelsior, 11/19/25
• Program, McPhee farewell recital, 3/29/n.y.
• P. Program for farewell recital, 3/29/24
• P. Clipping from Toronto Daily Star, 3/31/24
• Clippings, sources and dates unknown
• Clipping from unknown source
• Program, Clara Rabinowith piano recital, 4/20/25; P. Clipping from Latin Quarter Notes, 4/n.d./25
• Program, concert for McPhee, 11/9/25, 3 copies
• Program, piano recital by McPhee, 3/13/27, 4 copies
• Program, McPhee recital, 5/26/n.y., 2 copies

• Program. McPhee second piano recital, 1/4/23, 2 copies
• Post card promoting McPhee’s second piano recital, 1/4/23
• P. Clipping, source and date unknown
• P. Program from piano recital, American Women’s Club of Toronto, 11/19/n.y.
• P. Program, Canadian Academy of Music, Toronto, 2/16/n.y.
• P. Clipping, source and date unknown
• Program, piano recital by McPhee, Greenwich Village Theatre, 3/13/ 27
• Program, recital assisted by McPhee, 2/10/n.y.

• Clipping from Musical courier, 4/19/28, plus photocopy
• Program, recital, 5/20/20
• Program, Women’s University Glee club concert, 5/1/28

• Promotional mailer, concert and dance, Princeton University Glee Club and Wellesley College Choir, 3/27/n.y., 3 copies
• Program, concert 3/27/n.y., 3 copies
• Program, New Symphony Orchestra Twilight concert, 1/29/24, 3 copies
• P. Previous program, 2 pages
• P. Clipping from Mail and Empire (Toronto), 1/16/24
• P. Clipping about Twilight concert, source unknown, 1/16/24
• P. Clipping, date and source unknown
• P. Clipping, source unknown, 1/16/24
• Clipping with ink stain, date and source unknown, plus 2 photocopies
• Clipping about Twilight concert, date and source unknown
• Clipping about Copland-Sessions concert, date and source unknown; same clipping on reverse side
• Same clipping as previous, photocopy on reverse side
• P. clippings from NY Herald, date unknown; clipping, date and source unknown
• Clipping of McPhee’s photo from the NY Times, 3/23/30
• Program, McPhee’s third piano recital, 3/8/23, 3 copies
• Post card promoting McPhee’s third piano recital, 3/28/23, 2 copies
• Clippings of reviews of piano recital, dates and sources unknown
• Clipping of review of opera recital assisted by McPhee, date and source unknown
• Clipping of promo article, Daily Star series
• Clipping from Toronto Mail and Empire, 10/4/23 and Evening Telegram, n.d.
• Program and clipping of McPhee’s recital, 2/16/n.y.
• P. Clipping of review of Canadian Academy of Music annual concert, date and source unknown
• P. Clipping of review of recital, date and source unknown
• P. Clipping of review of Chamber Music concert, date and source unknown, 2 copies
• Clipping of review of 2 New York performances, date and source unknown; same clipping on reverse side
• Clipping of review of Schola Cantorum concert from NY Times, 1/30/31
• Program, Schola Cantorum concert at Carnegie Hall, 1/29/31
• Program and announcement of 3 piano recitals by McPhee, 1922-23
• P. Clipping of review of piano recital, date and source unknown
• P. Clipping of review of recital, source unknown, 12/9/22
• Program, McPhee’s first piano recital, 12/4/22
• P. Clipping of review of first piano recital from Toronto Mail, 12/5/22
• P. Clippings of review of recital, dates and sources unknown
• P. Clipping of review of recital, date and source unknown, 3 copies

• By Margaret Mead, NY Times, 9/29/46; photos on reverse side, 5 copies
• By Frederic Hyde, source unknown, 10 copies
• By Ruth Bendict from NY Herald tribune, 10/6/46, 2 copies; photos from book on reverse side
• By William McFee, date and source unknown, 5 copies
• From Saturday Review, 11/23/46, 2 copies
• Advertisement from NY Herald-Tribune, 4/6/47, 2 copies
• By Jaap Kunst from Cultureel Indie, 1946, in Dutch
• From The NY Statesman and Nation, 4/3/48
• From Musical Courier, 11/15/46
• By Eric Forbes-Boyd, date and source unknown
• From International Musician, 11/n.d./46, 2 copies
• Photo and promo ad from Four Star Final, 6/n.d./46

• Copy of "Dance in Bali" issue
• Review of issue
• Photograph, source unknown

• Clipping from Toronto Daily Star, 1935 (?)
• Original clipping and photocopy from Chicago Tribune, 8/10/24
• P. Clipping from Toronto Daily Star, n.d.
• P. Clipping, date and source unknown
• Clipping from Allentown Musical Notes, n.d.
• Clipping from Musical Courier, 3/21/31, 2 copies

• Review of farewell recital from Toronto Daily Star, 3/21/24; program on reverse side
• Program from Bali concert, 11/6/35
• program from Eighth Twilight concert of the New Symphony Orchestra, 1/15/24
• Program from third concert of the Chamber Orchestra of Boston, 3/11/29; clipping from Boston Evening Transcript, 3/12/29
• Series of clippings glued to notebook pages: about Chamber Music concert, concert of Canadian Academy of Music, piano recitals, farewell concert, etc.
• Announcement for McPhee’s three piano recitals
• Review, date and source unknown
• Promo ad for record of serials on Asia
• Photo of aged Mother Temple in Bali
• Photo of the same temple
• Clipping from Toronto Daily Star, date unknown
• Clipping from Saturday Night, 11/9/22
• Reviews and invitation for Canadian Academy of Music piano recital; other clippings on reverse side
• Program fro piano recital at the American Women’s Club of Toronto
• Clipping of review of concert at Mossey Hall; clipping from Mail and Empire on reverse side
• Program and reviews for November 1925 concert in Paris; more clippings on reverse side
• Clipping of line drawing by McPhee; promo for International Composers’ Guild concerts on reverse
• Program and review for International Composers’ Guild concert, date unknown
• Clipping from Musical Courier, 4/19/28; clipping from Chicago Tribune, 8/10/24 on reverse side
• Clipping from Allentown Musical Notes; various clippings on reverse side
• Clippings from various sources; more clippings on reverse side
• Clipping about American Composers’ concert; other clippings on reverse side
• Clippings about Schola Cantorum from various sources; more on reverse side
• Clipping from Toronto Daily Star, 12/5/22; photo of McPhee on reverse side

• Script for first broadcast; topics/examples include Tabuh-Tabuhan, Pastoral Symphony, introduction to gamelan, Lagu Lasem, Angklung Sekar Djepoen, 7 pages
• Script for second broadcast; topics/examples include shadow play, Pemoengkan, Lagu Arja, Gambangan, 4 pages
• Script for third broadcast; topics/examples include kambing Slem, gamelan angklung, 4 pages
• Script for fourth broadcast; topics/examples include Gonteng, Tabuh-Tabuhan, 3 pages
• Script for fifth broadcast; topics/examples include Kebiar Ding, shadow play, Batel, gandrung, Symphony Pastoral, 3 pages

• News release from WEVD about upcoming music series
• Clipping about WEVD new music series

• Five random segments of transcriptions
• Timing sheet for films: Daily Life , Legong, Kebiar
• Promo article (?) for "Dance and Drama in Bali," 2 copies
• Script for presentation of Balinese films, 18 pages
• Transcription of Pongyang and Ohurings
• Transcription of Pengechet lasem, Tab. 3 Legong styles
• Transcription, no title
• Transcription for gangsas and trompong, no title
• Transcription for gangsa, no title
• Notation for Laguh Tabughari
• Four-tone seah, saih angklung
• Transcription of pelog and slendro scales
• Instrumental ranges for Gamelan Semar Pegulingan and Pelegongan scale; Selisir pelegongan
• Transcription of a section from Pengawet Lasem
• Transcription of a section from Batel
• Transcription of gender parts from a section of Pengechet Biakalang
• Transcription of a section form Angkat-angkatan
• Transcriptions of gangsa and gender parts, some detached and missing
• Transcription of a section for genders, one transcription missing
• Transcription of polos and sangsih parts

• Program for Balinese Music, Java-Instituut Bali-Congres, n.d.
• Catalog of arts exhibitions at Fisk University, 4/19/44
• Promo for Music in Bali by Holland House, 6/13/41
• Announcements for lecture-recital by McPhee, 10/28/35, 2 copies
• Program for "Bali," a concert in NY (?), 11/6/35
• Program for Cultureel Congres of Bali, 10/n.d./37, in Dutch
• Promo for lectures, printed by Boosey and Hawkes
• Clipping of promo article about lecture from Hartford Courant, 10/9/40
• Program for seminars given by McPhee at UCLA

• Burma: Cook’s Handbook, 1934-35. 1934. Cook/Wagon Lits World Travel Service, 24 p.
• Japanese Gardens. 1934. Matsunosuke Tatsui. Tokyo: Maruzen Company, 111 p.
• Cha-No-Tu: Japan’s Tea Ceremony. N. d. Yasunosuke Fukukita. Reprinted from Japan’s Overseas Travel Magazine, 8 p.; photograph enclosed
• How to See Hong Kong, Canton and Macao. N. d. Cook/Wagon Lits World Travel Service, 45 p.
• The Ruins of Angkor, Cambodia (Indochina); Map of Angkor. A Messner.
• The Kamogawa Odori (Dance of the River Kamo). 1934
• The Cathay Magazine and Shoppers’ Guide Vol. 5 No. 59 (June 1934), 360 p.
• Guide to Bangkok with Notes on Siam. 1932. Third Edition. Major Erik Seidenfaden. Siam: The Royal State Railways of Siam. 324 p.

• Sumatra, Java, Bali: Tours by Rotterdam Lloyd Royal Mail Line. 1932. 56 p.
• Dutch East Indies. Royal Packet Navigation Co. (Koninklijke Paketvaart Maatschappij), 15 p.
• Map showing KPM tourist routes via the Netherland Indies
• Some Aspects of Java. N.d. N.p.
• Photo of Balinese dance troupe (?), source unknown
• Report on Indonesia Vol. 7 No. 6 (February 1956). Washington, D.C.: The Embassy of Indonesia, 15 p.
• The Cultural Life of Indonesia: Religion, the Arts, Education. 1951. Washington, D.C.: Embassy of Indonesia, Educational and Cultural Division, 69 p.
• Brochure for Grotesque monotype face by Westcott & Thomson, Inc.
• "How Dutch Frustrate All Peaceful Efforts," excerpt from a newsletter (?), date and source unknown
• Excerpt from Report on Indonesia, N.d. 7 p.

• Gagaku: Ancient Japanese Music and Dance. 1961.
• Information handbook, 2 copies
• "Stochastic Music" by Yannis Xenakis, presented on 4/21, 5 p., 3 p. torn in half
• "Electronic Music" by Makoto Moroi, presented on 4/21, 1 p. (incomplete)
• "Problems of Expression and Technique in Contemporary Music: An Eastern View" by Mamoru Miyagi, presented on 4/21, 5 p.
• "Religious Music" by Yoshio Nomura, presented on 4/18, 3 p.
• "The Music of Japan (On Gagaku)" by Sukehiro Shiba, presented on 4/18, 6 p.
• "Problems of Sino-Japanese Musical Tradition Today (The State of Traditional Music in Japan Today)" by Shinichi Yuize, presented on 4/19, 5 p.
• "Western Music in Japan" by Keisei Sakka, 4 p.
• "Extending the Classical Syntax" by Elliot Carter, presented on 4/21, 3 p.
• "Music’s Place in Western Life" by Leo Schrade, presented on 4/18, 6 p.
• "Patronage of Music in the West: the Role of Maecenas in Europe" by Egon Seefehlner, presented on 4/21, 3 p.
• "Problems of Sino-Japanese Musical Tradition" by Tran Van Khe, presented on 4/19, 5 p.
• "Presenting the Eastern Tradition Under Conditions of Mass Distribution" by Tran Van Khe, presented on 4/21, 4 p.
• "Western Music in India" by Vanraj Bhatia, 4/19, 3 p.
• "Problems of Indian Musical Tradition Today" by T. Viswanathan, presented on 4/19, 4 p.
• "The Music of India" by Thakur J. Singh, presented on 4/18, 3 p.
• "Patronage of Music in India" by Thakur J. Singh, presented on 4/21, 2 p.
• "Presenting the Eastern Tradition Under Conditions of Mass Distribution" by Thakur Jaideva Singh, presented on 4/21, 3 p.
• "Today’s Best (Opera in Germany)" by Willi Schuh, presented on 4/20, 3 p.
• "Instruction in Music as Part of General Education" by Alfred Frankenstein, presented on 4/20, 5 p.
• "Do we form opinion or are we merely informative?’ by H. Stuckenschmidt, presented on 4/22, 2 p.
• "May we cooperate privately with artists and producers?" by Willi Schuh, 4/22, 2 p.
• "What are the ethics on the composer-critic?" by Roman Vlad, presented on 4/22, 2 p.
• "An International Institute for Comparative Music Studies," 2 p.
• "Notes on some Contemporary Aesthetic Problems" by Yvette Grimaud, 3 p.
• "The Type and the Psychology of the Listener" by William Glock, presented on 4/20, 3 p.
• "Liturgical and Religious Music" by Han Heinz Draeger, 3 p.

• 2/15/43, Kaiser Marshall on cover
• 3/1/43, Rod Cless on cover
• 3/15/43, Jelly Roll Morton on cover
• 4/1/43, George Brunis on cover
• 4/15/43, Edmond Hall on cover
• 5/1/43, Eddie Condon on cover
• 5/15/43, Tommy Ladnier on cover
• 6/1/43, Max Kaminsky on cover
• 6/15/43, Johnny Hodges on cover
• 7/1/43, Sidney De Paris, Kansas Fields, and Mezz Mezzrow on cover
• 8/1/43, George "Pop" Foster on cover
• 9/1/43, Marty Marsala on cover
• 10/43, Lillian Hardin Armstrong on cover
• 11/43, PeeWee Russell on cover
• 12/43, Lester Young on cover
• 1/44, "Fats" Waller on cover
• 2/44, Bobby Hackett on cover
• 3/44, Billie Holiday on cover
• 4/44, Joe Marsala, "Mugsy" Spanier and Bud Freeman on cover
• 5/44, Rex Stewart on cover
• 6/44, Joe Sullivan on cover
• 7/44, Vic Dickenson on cover
• 8/44, Bud Freeman on cover, 2 copies
• 9/44, Stuff Smith and Jonah Jones on cover
• 10/44, Wingy Mannone on cover
• 11/44, Barney Bigard on cover
• 12/44, Jess Stacy on cover
• 1/45, Lips Page on cover
• 2/45, George Wettling on cover
• 4/45, Brad Gowans on cover
• 6/45, Jack Bland on cover
• 7/45, Sidney De Paris on cover

• "Songs of the Northwest," Musical Quarterly N.d:101-111.

• "The Longitudinal Flutes of Central Asia," Musical Quarterly N.d.:83-100.

• "Musical Instruments of Cuba, "Musical Quarterly 21(3):227-40 (July 1935)
• "Musical Instruments of Haiti," Musical Quarterly, N.d.: 371-83.

• "Music of the American Indians at Public Gatherings," Musical Quarterly N.d.:464-79.

• "Of Flutes and Soft Recorders',"Musical Quarterly N.d.:219-228.

• "A Comparison of Pueblo and Pima Musical Styles," The Journal of American Folklore 49(194):283-418 (Oct./Dec. 1936).
• *"Research in Primitive and Folk Music in the United States," Bulletin of the ACLS, No. 24, April, 1936.
• "Stability of Form in Traditional and Cultivated Music," source and date unknown
• "Music in the Thinking of the American Indian," Reprinted from Peabody Bulletin, May 1938:1-5.
• Book Review, Songs of the Copper Eskimo, by Helen Roberts and D. Jenness, Journal of American Folklore N.d.:218-225
• "Plains Ghost Dance and Great Basin Music," Reprinted from American Anthropologist, 37(3):403-19 (July-September 1935).
• *"Study of Native Music in America," Proceedings of the 8th American Scientific Congress, Vol. 2 (May 1940).
• "African Influences in North American Indian music," Musical Quarterly N.d.:130-43.
• "Do Animals Have Music?," Bulletin of the American Musicological Society, February 1939:3-4.
• "Observations on Text and Melody in Primitive Music," Bulletin of the American Musicological Society January 1940:10-11.
• "Musical Typology in Folksong," Southern Folklore Quarterly, June 1937:49-55.
• "The Study of Folksong in America," Southern Folklore Quarterly, 1938:59-64.
• Book Reviews, Folk Culture of St. Helena Island, South Carolina, by G. Johnson; White Spirituals in the Southern Upland, by G. Jackson. Journal of American Folklore 48(190): 394-97 (Oct.-Dec. 1936).
• Special Song Types in North American Indian Music," Zeitschrift for Vergleichende Musikwissenschaft, 3(1/2):1-11 (1935).
• Die Musik der Karolinen-Inseln. 1936. Hamburg: Friederichsen, de Gruyter, 404 p.

• "A Study of Negro Harmony," Musical Quarterly, N.d.:404-14.

75 Article by Laubenstein, P.R. 1 item

• "Race Values in Aframerican Music,"Musical Quarterly,N.d.:378-403. (Note: Numbers 74 and 75 are in one folder)

• "Types of Quechua Melody," Musical Quarterly, N.d.:230-45.

• "Celtic elements in Beethoven's Seventh Symphony," Musical Quarterly, 21(3):255-65 (July 1935).

• Pettis, Ashley. 1940. "Composers’ Livelihood," New York Times April 21:x7, folded.
• Anonymous. 1963. Title unknown. Time April 19:35-36.
• Anonymous. 1963. "Composers," Time April 19:83-84
• Bailey, Marshall. N.d. "Duodecuple Notation," Source unknown:12-14
• La Revue Musicale 25(209), March 1949.
• High Fidelity Magazine.September 1962:52-70,119-132.
• SR. August 18, 1962:29-30.
• SR. August 25, 1962:33-36.
• SR. October 13, 1962:43-46.
• The African Music Society Newsletter. 1(5), June 1952.
• Kutscher, Gerdt. 1950. "Iconographic Studies as an Aid in the Reconstruction of Early Chimu Civilization," Reprinted from the Transactions of the New York Academy of Sciences.
• Sullivan, Frank. 1946. "Don Marquis of the Sun Dial," New York Times Book Review Section 7:1 (September 1), folded.
• New York Times March 8, 1931:x5-x6, folded and torn.
• "Music Makers to be ‘Engineers,’" The New York Sun May 11,1940:24, folded.

• Color drawings of flowers, 4 sheets
• Book (?) of drawings of plants, insects and flowers, 24 p.
• Print of awood carved deity (?)
• Picture of masks
• Color drawings of mollusks, shells, birds, mammals, and reptiles, 20 p.
• Picture of lion dance on New Year’s Day
• Picture of stone carved face/mask(?)
• Picture of Iroquois wooden masks
• Picture of carving of Aztec sun god
• Pictures of Hindu deities, 2 sheets
• Picture of a page from the Dresden Codes
• Unlabeled pictures, 2
• Photos of items from Aux Musees D’Europe, 2
• Photos of relief sculptures and mosaics from different cathedrals, 12

• miscellaneous handwritten notes and memos on scrap paper
• H. gift evaluation chart
• H. McPhee evaluation on yellow pad
• T. note to "Page" from Ann Briegleb, 4/20/73
• TNc. Richard Hudson to Shirley Hawkins, 5/8/73
• TNc. Hudson to Hawkins, 5/31/73
• TNc. Briegleb to Frank Campbell, 12/11/73
• TS. Hawkins to Briegleb, 1/26/74, stapled to TS letter Rosalie Calabrese to Hawkins, 1/19/74
• TNc. Briegleb to Frank D’Accone, 8/1/74
• TNc. Marsha Berman to Richard zumwinkle, 1/3/75
• TNc. Berman to Hawkins, 5/7/75
• TSp. Bernardine Szold-Fritz to Page Ackerman, 2/4/75; H notes attached

• T memo, Gail Rasmussen to Shipping department of Yale University Press, 1/11/67
• TNc. Briegleb to Jeanne Hirsch (American Museum of Natural History), 6/26/67
• TS. Hirsch to Briegleb, 6/19/67 plus carbon
• TNc. Briegleb to Hirsch, 9/6/67
• TNp. Hirsch to Briegleb, 8/29/67, 2 copies
• TNc. Hirsch to Briegleb, 6/19/67, same item as #3
• TNc. Hirsch to Briegleb, 8/29/67, original of item #5

• TSP. Toth to Public Information Office requesting information on broadcast about McPhee, 5/17/77
• TS. Diane Conklin to Andrew Toth (UCLA)

• Tape index sheet of McPhee’s tapes, ca. 1935, 2 p.
• Tape index sheet of radio broadcast, "The Ways of Mankind, Vol. II," ca. 1955, 3 p.
• List of copies of commercial records borrowed from mcPhee, 3 p.
• List of recordings of Balinese music by Decca-Parlophone Records, ca. 1940, 2 p.
• TS. note from Marilyn Graf (Indiana University) to Briegleb, 7/7/77
• TNc. Briegleb to Graf, 7/1/77
• TS. Note from Graf to Andrew Toth, 6/22/77
• TNc. Toth to Graf, 6/11/77 plus photocopy
• TS. Graf to Toth, 6/8/77 plus envelope
• TNp. Graf to Toth, 5/5/77

• TSP. David Kilpatrick (UCLA) to Mrs. Hawkins (UCSC), 7/26/76
• TNP. Robert Fessenden (UCSC) to Consolidated Film Industries, 7/14/76

• TNC. Briegleb to Charles Amirkhanian, 8/12/77, attached to TS. from Amirkhanian to Briegleb, 8/6/77
• TS. Richard Mueller to Institute of Ethnomusicology, 12/4/73, 2 p.
• TS. Mueller to Mantle Hood, 11/8/73, 2 p.
• H. Phone message from Mueller to Briegleb, n.d.
• H notes on recordings on index card

• Clipping from Notes 30(4):773-77 (June 1974) plus photocopy of p. 776
• Clipping from UCLA Librarian 27(1):6 (January 1974) plus T original

• Watercolor on treated hide (?), artist unknown
• Graphite on paper, line drawings of musicians, artist unknown

• H list of compositions with dates
• T list of compositions with length of piece and publisher
• Card catalogue entries (?) for Tabuh-Tabuhan and henry Cowell’s American Composers on American Music, a symposium
• T list of publications with H additions, 2 p.
• Clipping, "The Absolute Music of Bali" by McPhee
• Promo brochure by BMI
• Bibliographic information on A House in Bali
• Partial transcription of Gilak topeng
• T list od reviews and columns
• H list of films

• Index to negatives and photographs, 3 p.
• Index to files
• Index to negatives and photographs, 3 p.
• Index to Blues, Gospel, and jazz 78 records, 2 p.
• 1/4 inch photographs, 3 p.
• Report on McPhee collection project by J. Makubuya, 1990
• Report on collection status by A. Toth, 1197, 2 p.
• Checklist of McPhee gift, 2 p.
• Checklist of McPhee gift, April 1972, 3 p.
• Revised index to collection, February 1993, 4 p.
• List of recordings with AR numbers, 4 p., 2 copies
• Commercial records, 2 p.
• Index to collection, June 1977, 4 p.
• Musical notation (?) in Chines characters, 2 p.
• P. list of field and commercial recordings from Bali by AR number
• List of recordings
• H list of 78’s
• H list of records with AR numbers, 3 p.
• List of large prints
• List of oversize prints
• List of photographs
• List of 35 mm slides
• List of 35 mm transparencies made form original lantern (?) slides, 10 p.
• List of McPhee’s scores (manuscripts and reproductions), 2 p.
• List of additional materials, 5 p.
• Checklist of McPhee gift, 2 p.
• Checklist of McPhee gift, april 1973, 3 p.
• biographical information, 2 p.
• List of publications by McPhee, 2 p.
• P of ORION (?) search record

• T inventory of photos, 1990, 50 p.
• Report on the McPhee collections by J. Makubuya

• Classifications and descriptions of photos, 36 p.

• "In This Far Island," 44(12):533-537 (December 1944), 2 copies
• "In This Far Island, Part III: The House in Sayan," 45(2):109-114 (February 1945)
• "In This Far Island, Part VI: Sampih Makes His Debut," 45(5):257-260 (May 1945)
• "In This Far Island, Part VII: Balinese Composer," 45(6):305-309 (June 1945), 2 copies

• Thomson, Virgil. "Music and Musicians," source unknown (October 5, 1952), 3 copies
• "Musica Balinesa," source unknown (March 1936), in Spanish, 6 copies
• "Bali Musical paradise With Dancing A Favorite," NY Herald Tribune (Sept. 17, 1941) p. 17
• "Clinic in the South Seas," NY Times Book Review (Sept. 17, 1944)
• "Shadows in Bali," Madamoiselle (Oct. 1946) pp. 190-191, 306, 307, 308, 2 copies
• "Report on Bali’s Music," NY Times x:7-8 (March 5, 1939)
• "Visitors from Bali," NY Times (August 31, 1952), p. 5x, 3 copies
• Reprint of "Visitors from Bali"
• "They Live the Dance," NY Times Magazine (Sept. 7, 1952), pp.24-25, 4 copies
• "Gourmet in Bali," Harper’s Bazaar (Nov. 1949), pp. 200-201, 203
• Tc. "Music in Bali" 8 p.
• "The Sounds of Bali," HiFi Review (December 1958), pp. 27-30, 2 copies

• From Musical Leader (March 12, 1931), 2 copies
• "A Child’s ABC of Theology," The Hue and Cry 6(8):3 (August 17, 1928), 4 copies
• T and H verses for J, W, and O of McPhee’s ABC’s
• Todd, Rev. Harvey. I. "An Adult’s ABC of Theology," The Hue and Cry 6(10):7 (August 31, 1928)
• Hale, William Harlan. Editorial, The Hue and Cry 6(10):2 (August 31, 1928)
• McPhee’s version of the Eternal Feminine (line drawing), The Hue and Cry 6:5 (September 1928), 9 copies

• Mercure (a pseudonym). 20(4): 286-87 (May-June 1943)
• Mercure. N.d.:121-123
• Mercure. N.d.:68-69
• McPhee, Colin. N.d.:279-281
• McPhee, Colin. N.d.:210-11
• "Sounds and Scores," 20(4):277-278 (May-June 1943)

• ink on tracing paper, ink on thick drawing paper

• paste up of blueprints of photos on 64 pages
• photos as printed in the book
• series of photos of Kebyar dance

• Map of the districts of Bali, p. 5
• Gongs, p. 28
• Seating of the performers, p. 80
• Colotomic punctuations, p. 84
• Diagrams for suling fingering, p. 117
• Genders, p. 203
• Palet structure with gong accents, p. 293
• Guntang, a one-string bamboo zither, p. 295
• Arja stanza forms, pp. 298-99
• Chandetan strokes on lesung or ketungan, p. 360

• Foreword by Mantle Hood, i
• Acknowledgements, ii
• Note on orthography and pronunciation, iii
• Introduction, iv
• Chapter 1, The Balinese scene
• Chapter 2, The village music clubs
• Chapter 3, Music and the temple
• Chapter 4, Decline of the palace
• Chapter 5, Plays and dances
• Chapter 6, Musical instruments

• Scale systems, scales and tunings

• Notation and terminology

• The Gamelan Gong

• The Gamelan Gambuh
• The Gamelan Semar Pegulingan

• The Gamelan Pelegongan

• The Gamelan Pejogedan

• The Gender Wayang ensemble

• The Gamelan Angklung

• Four Sacred Ensembles

• Gamelan Arja

• Gamelan Pelegongan--New Devices
• Keybar, Latest Style

• Notes to Chapters
• Glossary

• Table of Contents
• Acknowledgements, ii
• Note on orthography and pronunciation, iii
• Introduction, iv
• Chapter 1, The Balinese scene
• Chapter 2, The village music clubs
• Chapter 3, Music and the temple
• Chapter 4, Decline of the palace
• Chapter 5, Plays and dances

• Musical Instruments

• Scale systems, scales and tunings
• Notation and terminology

• The Gamelan Gong

• The Gamelan Gambuh

• The Gamelan Semar Pegulingan

• The Gamelan Pelegongan
• The Gamelan Pejogedan

• The Gender Wayang ensemble

• The Gamelan Angklung

• Four Sacred Ensembles

• Gamelan Arja
• Gamelan Pelegongan

• Keybar--The Latest Style

• Notes to Chapters
• Glossary
• Musical Exmaples

• Preliminaries
• Musical Instruments

• Scales and scale systems, 2 sets

• Notation and terminology, 2 sets

• Music of Bali (LP), 2 sets
• The Exotic Sounds of Bali (LP), 1963, 2 sets

• Gamelan Gong Gede, 2 sets

• The Gamelan Gambuh, 41 pages, 2 sets

• The Gamelan Semar Pegulingan

• The Gamelan Pelegongan

• Four Sacred Ensembles: Selundeng, Charuk,Gambang, Gong Luang

• Nuclear Tones
• Bibliography
• Discography

• Appendix
• Musical examples

• Map
• Drawings
• Photo layout

• Plays and dances
• Musical instruments

• Proof correction notes

• Scale charts: originals, photostats, and photocopies

• Parts of Chapters 1, 6, 7, 9, 12, 13, 16, 19
• Parts of the appendices
• Glossary
• Bibliography

• Gamelan gong

• Scales
• Gamelan Gong
• Gambuh
• Legong
• Angklung
• Bibliography

• H and T captions to pictures, corrections

• Drawings
• Diagrams