| Tape Index | Track Index | Item Index | Full Index | Archive Master Index | Ethnicity of music | Country of origin | ItemTitle | Composer | Genre | Function | Instrumentation | Performers | Place of recording | Country of recording | Date of recording | Source of recording | Additional recording info | ItemTime | Value judgment | Collector's Original Index | NewPreservationTapeIndex | Preservation CD Index | Listening CD Index | Listening Tape Index |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 333 | 1 | 1 | 333.1.1 | 218-1 | North India | India | Shanai performed by Bismillah Khan | Raga Maru Behar | recital | Shanai (multiple); drum; jingles. | Bismillah Khan (shanai) | India | July 29, 1961 | Collector's field recordings. | drone is loud. Announcement at the end. | 7:54 | Fair | |||||||
| 334 | 1 | 1 | 334.1.1 | 219-1 | South India | India | Vasantha Kumari (vocalist), accompanied by violin | Thyagaraja | Kriti in Etavunara in Raga Kalyani and Tala Adi | Tambura; violin; mridangam (enters at ~16:30) w/ hand-clapping. Vocal: Female solo. | Vasantha Kumari (vocal) | India | August 2, 1961 | Collector's field recordings. | faint background noise throughout. | 32:09 | Good-fair | |||||||
| 335 | 1 | 1 | 335.1.1 | 220-1 | South India | India | Tarana, sung by Nasir Hussein Khan in Raga Deshi | Tarana in Raga Deshi | male voice; tambura; sarangi; mridangam. | Nasir Hussein Khan (vocal) | India | July 28, 1961 | Collector's field recordings. | recorded levels are low; some shuffling noises; warble at 1:14; there is a pop and a skip at 9:13; low-pitched hum from 9:13 to end. Announcement at the end. | 13:24 | Fair | ||||||||
| 335 | 1 | 2 | 335.1.2 | 220-2 | South India | India | Kandyan drumming demonstration | Kandyan drumming | demonstration | male voice; drum | Colombo | Sri Lanka | July 28, 1961 | Collector's field recordings. | Print-through on tape throughout; brief high-pitched hum ~ 13:58. Announcement at the beginning. | 18:52 | Poor due to print-through. | |||||||
| 336 | 1 | 1 | 336.1.1 | 221-1 | North India | India | Khyal sung by Nasir Hussein Khan | Khyal in Raga Gouvda-malhar | male voice; Tabla; Sarangi; Tambura. | Nasir Hussein Khan (vocal). | India | July 28, 1961 | Collector's field recordings. | Low hum from 3:27-9:43; pop at 7:43. Announcement at end (15:10-15:49). | 15:49 | Fair | ||||||||
| 333 | 1 | 2 | 333.1.2 | 218-2 | North India | India | Shanai performed by Bismillah Khan | Thumri in Raga Sur Malhar | recital | Shanai (multiple); drum; juingles; wooden block(?)(enters ~3:05). | Bismillah Khan (shanai) | India | July 29, 1961 | Collector's field recordings. | electronic interference (low fluctuating hum, AM radio sounds) throughout; warbling at 8:03; drop-out at 10:12; pops at 11:18. Announcement at the end |
24:15 | Fair | |||||||
| 336 | 1 | 2 | 336.1.2 | 221-2 | North india | India | Khyal sung by Nasir Hussein Khan | Khyal in Raga Sabari Kalyani | male voice; Tabla; Sarangi; Tambura. | Nasir Hussein Khan (vocal). | India | July 28, 1961 | Collector's field recordings. | pop at 3:14; faint low hum from 3:47-7:30; pop at 7:30; warble at 8:38; print-through on tape from 10:26-11:07. This item is announced at the end of item one. | 11:07 | Fair | ||||||||
| 367 | 1 | 4 | 367.1.4 | 252-4 | South India | India (UCLA student study group) | Tillana in Raga Hindalam and Tala Khanda Aka | Tillana in Raga Hindalam and Tala Khanda Aka | UCLA Indian Study Group noon concert | Tambura; drum (mrdangam?). Vocal: mixed chorus. | UCLA Indian Study Group. | UCLA | USA | May, 1961 (box says Aug. 1, 1961). | Collector's field recordings. | Begins with shuffling sounds and sounds of tuning mrdangam (?). Singing with mrdangam begins at 2:17. Piece ends at 4:29, but environmental noise is recorded to 4:36. | 4:36 | Fair | ||||||
| 368 | 1 | 1 | 368.1.1 | 253-1 | South India | India | Vocal concert (female) M.S. Subbalakshmi. | Alapana; Kriti; Raga Shankarabharava and Tala Adi | Vocal concert. | Drone; violin; mrdangam. Vocal: Female solo (second female vocal for Kriti's). | M.S. Subbalakshmi (vocal). | August 1, 1961 | Collector's field recordings. | Contents are given in the notes as "Alapana and Kriti in Raga Shankarabharava and Tala Adi - Kriti in Raga Vasanta." Static throughout. Some background noise throughout. Volume level is inconsistent: decrease at 1:02, increase at 1:16, decrease at 1:42; decrease at 7:00, fades out to very faint at 20:49, increase at 21:09,fluctuates at 24:00-24:10. Occassional static (usually at volume fulctuations). Noise at 3:08. Flutter noise at 10:43. There is a drum solo at 21:09. When the vocal comes back at 22:45, there are two female voice? Pop at 25:32. Loud pops, occassional flutter, and low hum from 25:59 to the end. | 31:29 | Fair | ||||||||
| 369 | 1 | 1 | 369.1.1 | 254-1 | ||||||||||||||||||||
| 369 | 1 | 2 | 369.1.2 | 254-2 | ||||||||||||||||||||
| 370 | 1 | 1 | 370.1.1 | 255-1 | South India | India | Navasandhi Nrtya | Carnatic classical dance | Drone (shahnai?); metal clapper; drum; flute; violin(?). Vocal: Male solo (vocalizes the rhythmic patterns). | Padmalochana (dancer?) | Aug. 10, 1961 (tape box also lists Sept. 10, 1961) | Collector's field recordings. | Sound is rather fuzzy throughout. Loud hum in the beginning (ends at 0:06). Drop-out and warble at 4:26. Audience applauds at 3:17 and 14:08, and 17:25. | 20:04 | Fair | |||||||||
| 370 | 1 | 2 | 370.1.2 | 255-2 | South India | South India | Folk songs from Maharajah College in Mysore | Folk songs | Vocal: Male solo. | India | Aug. 10, 1961 (tape box also lists Sept. 10, 1961) | Collector's field recordings. | Slight low hum and some static and intermittent interference throughout. There is a clear break (drop-out) at 4:04-4:10. Background noise at 4:46. Warble at 5:26. Announcement at the end (6:43-6:52). | 6:52 | Fair | |||||||||
| 371 | 1 | 1 | 371.1.1 | 256-1 | North India | India | Indian singing: Ravindra Sangeet (cont. from tape | Ravindra Sangeet (Rabindra Sangeet) | Drone (tambura?); drum (tabla?); harmonium(?); saranghi (?)(so faint, it's hard to tell).Vocal: Female solo. | August 3, 1961 | Collector's field recordings. | Complete title: "Indian singing: Ravindra Sangeet (cont. from tape 259). Recording is very faint. Everything but the vocal is hard to distinguish. Volume increases briefly at 1:06. Some static and occassional pops. Volume increases at 5:57. | 6:26 | Poor | ||||||||||
| 371 | 1 | 2 | 371.1.2 | 256-2 | North India | India | Group singing | Group singing | Drone (tambura?); drum (tabla?); harmonium(?); bowed string instrument (saranghi ?). Vocal: Female solo, Male solo, and sometimes they sing together.. | August 3, 1961 | Collector's field recordings. | Volume is a bit higher than item 1. | 3:43 | Fair | ||||||||||
| 371 | 1 | 3 | 371.1.3 | 256-3 | North India | India | Announcement in Hindi (?) | Announcement in Hindi (?) | Vocal: Male speaking voice | August 3, 1961 | Collector's field recordings. | Background talking and envirionmental noise throughout. | 2:00 | Fair | ||||||||||
| 371 | 1 | 4 | 371.1.4 | 256-4 | North India | India | Sundar geet | Sundar geet | Drone (tambura?); drum (tabla?); harmonium(?); bowed string instrument (saranghi ?). Vocal: Female solo; chorus (after 8:32). | August 3, 1961 | Collector's field recordings. | Tambura and background noise in the beginning. Sundar geet begins at 1:26 (?). Announcements in Hindi(?) 3:27-4:56, 12:22-13:55, 16:37-17:38. Volume increases at 4:47 and 5:07. Volume decreases at 6:04. Static and fluctuation of volume at 6:26. Volume increases at 6:57. After 8:32, solo vocal alternates with chorus. Fades out at the end. | 17:57 | Fair | ||||||||||
| 372 | 1 | 1 | 372.1.1 | 257-1 | North India | India | Trital | Trital | Tabla demonstration | Tabla. Vocal: solo male (vocalization of tala). | Kanai Dut (tabla). | January 3, 1958 (tape box spine says Aug. 3, 1961) | Collector's field recordings. | Recorded levels are very low. | 18:11 | Poor | ||||||||
| 372 | 1 | 2 | 372.1.2 | 257-2 | North India | India | Jhaptal | Jhaptal | Tabla demonstration | Tabla. Vocal: solo male (vocalization of tala). | Kanai Dut (tabla). | January 3, 1958 (tape box spine says Aug. 3, 1961) | Collector's field recordings. | Recorded levels are very low. | 7:53 | Poor | ||||||||
| 372 | 1 | 3 | 372.1.3 | 257-3 | North India | India | Rupak | Rupak | Tabla demonstration | Tabla. Vocal: solo male (vocalization of tala). | Kanai Dut (tabla). | January 3, 1958 (tape box spine says Aug. 3, 1961) | Collector's field recordings. | Recorded levels are very low. Loud feedback sound at 2:06. This item is incomplete. | 5:56 | Poor | ||||||||
| 373 | 1 | 1 | 373.1.1 | 258-1 | North India | India | Pakhawaj demonstration (cont.) | Devolpment of Chantal | Pakhawaj demonstration (cont.) | Pakhawaj. Vocal: Male solo (vocalization of rhythmic patterns that precedes their being played on the drum). | Puroshanthan Das (Pakhawaj). | August 3, 1961 | Collector's field recordings. | Begins with spoken announcement in Hindi(?). Levels increase at 3:23 (with first vocalization). | 9:25 | Good | ||||||||
| 373 | 1 | 2 | 373.1.2 | 258-2 | North India | India | Announcement in Hindi(?) | Male speaking voice. | August 3, 1961 | Collector's field recordings. | 0:56 | Good | ||||||||||||
| 373 | 1 | 3 | 373.1.3 | 258-3 | North India | India | Manipuri Pung: Basic Sounds | Manipuri pung demonstration. | Manipuri Pung (double-headed, tuned barrel drum of Maipur). Vocal: Female solo (vocalizations of rhythmic patterns). | August 3, 1961 | Collector's field recordings. | 1:10 | Good | |||||||||||
| 373 | 1 | 4 | 373.1.4 | 258-4 | North India | India | Manipuri Pung: Combinations/Parings | Manipuri pung demonstration. | Manipuri Pung (double-headed, tuned barrel drum of Maipur). Vocal: Male solo (vocalizations of rhythmic patterns). | August 3, 1961 | Collector's field recordings. | Notes list Combnations and Parings as separate items; I could not find item divisions for parings vs. combinations; therefore items 4-9 are listed as Combinations/Parings. | 0:25 | Good | ||||||||||
| 373 | 1 | 5 | 373.1.5 | 258-5 | North India | India | Manipuri Pung: Combinations/Parings | Manipuri pung demonstration. | Manipuri Pung (double-headed, tuned barrel drum of Maipur). Vocal: Male solo (vocalizations of rhythmic patterns). | August 3, 1961 | Collector's field recordings. | Notes list Combnations and Parings as separate items; I could not find item divisions for parings vs. combinations; therefore items 4-9 are listed as Combinations/Parings. | 0:52 | Good | ||||||||||
| 373 | 1 | 6 | 373.1.6 | 258-6 | North India | India | Manipuri Pung: Combinations/Parings | Manipuri pung demonstration. | Manipuri Pung (double-headed, tuned barrel drum of Maipur). Vocal: Male solo (vocalizations of rhythmic patterns). | August 3, 1961 | Collector's field recordings. | Notes list Combnations and Parings as separate items; I could not find item divisions for parings vs. combinations; therefore items 4-9 are listed as Combinations/Parings. | 0:43 | Good | ||||||||||
| 374 | 1 | 1 | 374.1.1 | 259-1 | North India | India | Announcement/ introduction in Hindi(?). | Manipuri pung demonstration. | Male speaking voice. | August 3, 1961 | Collector's field recordings. | 1:15 | Fair | |||||||||||
| 374 | 1 | 2 | 374.1.2 | 259-2 | North India | India | Ravindra Sangeet (Rabindra Sangit) | Tambura(?); sarangi(?); harmonium(?); tabla(?). Vocal: Female solo.(Notes don't provide instrumentation). | August 3, 1961 | Collector's field recordings. | Low hum and static throughout. Levels fluctuate throughout and are low in general. Items 2 and 3 are seperated by applause. | 7:03 | Poor | |||||||||||
| 374 | 1 | 3 | 374.1.3 | 259-3 | North India | India | Ravindra Sangeet (Rabindra Sangit) | Tambura(?); sarangi(?); harmonium(?); tabla(?). Vocal: Female solo. (Notes don't provide instrumentation). | August 3, 1961 | Collector's field recordings. | Levels are ow in general. Interference, shuffling at 2:34-2:42. Surge of volume at 3:26. | 7:58 | Poor | |||||||||||
| 374 | 1 | 4 | 374.1.4 | 259-4 | North India | India | Ravindra Sangeet (Rabindra Sangit)(?) | Harmonium(?); drum (tabla?); sarangi(?). Vocal: Male solo. (Notes don't provide instrumentation). | August 3, 1961 | Collector's field recordings. | Levels increase at 0:09. Levels decrease and there is static at 1:37. There is a surge of volume, then the volume decreases at 2:04. Items 4 and 5 are seperated by applause. | 4:01 | Poor | |||||||||||
| 374 | 1 | 5 | 374.1.5 | 259-5 | North India | India | Ravindra Sangeet (Rabindra Sangit) | Harmonium(?); drum (tabla?); sarangi(?). Vocal: Male solo. (Notes don't provide instrumentation). | August 3, 1961 | Collector's field recordings. | Volume is generally low, but levels fluctuate throughout. Items 4 and 5 are seperated by applause. | 4:57 | Poor | |||||||||||
| 374 | 1 | 6 | 374.1.6 | 259-6 | North India | India | Ravindra Sangeet (Rabindra Sangit) | Tambura(?); saranghi(?); harmonium(?); tabla(?). Vocal: Female solo. (Notes don't provide instrumentation). | August 3, 1961 | Collector's field recordings. | Volume levels increase at 26:55, there is a low hum and levels decrease again. Levels incease and there is a low hum at 3:13. Pop and drop-out at 5:06. | 6:08 | Poor | |||||||||||
| 416 | 1 | 1 | 416.1.1 | 301-1 | India | India | Symposium on Tala Pt. 7, continued (tape box says | Symposium on Tala. | Male speaking voice. | S.H. Ratanjankar (?)(I think this is continued from item foru | September 7, 1961 | Collector's field recordings. | Begins in the middle of the paper. I think this is the conclusion of part 7, begun on tape 300. Reader's voice sounds fuzzy. There is a very faint thumping noise in the background. Paper ends at 5:45. There are sounds of shuffling, bumping microphone, talking until 6:18. | 6:18 | Fair | |||||||||
| 373 | 1 | 7 | 373.1.7 | 258-7 | North India | India | Manipuri Pung: Combinations/Parings | Manipuri pung demonstration. | Manipuri Pung (double-headed, tuned barrel drum of Maipur). Vocal: Male solo (vocalizations of rhythmic patterns). | August 3, 1961 | Collector's field recordings. | Notes list Combnations and Parings as separate items; I could not find item divisions for parings vs. combinations; therefore items 4-9 are listed as Combinations/Parings. | 0:51 | Good | ||||||||||
| 373 | 1 | 8 | 373.1.8 | 258-8 | North India | India | Manipuri Pung: Combinations/Parings | Manipuri pung demonstration. | Manipuri Pung (double-headed, tuned barrel drum of Maipur). Vocal: Male solo (vocalizations of rhythmic patterns). | August 3, 1961 | Collector's field recordings. | Notes list Combnations and Parings as separate items; I could not find item divisions for parings vs. combinations; therefore items 4-9 are listed as Combinations/Parings. | 1:07 | Good | ||||||||||
| 373 | 1 | 9 | 373.1.9 | 258-9 | North India | India | Manipuri Pung: Combinations/Parings | Manipuri pung demonstration. | Manipuri Pung (double-headed, tuned barrel drum of Maipur). Vocal: Male solo (vocalizations of rhythmic patterns). | August 3, 1961 | Collector's field recordings. | Notes list Combnations and Parings as separate items; I could not find item divisions for parings vs. combinations; therefore items 4-9 are listed as Combinations/Parings. | 0:53 | Good | ||||||||||
| 373 | 1 | 10 | 373.1.10 | 258-10 | North India | India | Manipuri Pung: Alankar (development) | Manipuri pung demonstration. | Manipuri Pung (double-headed, tuned barrel drum of Maipur). Vocal: Male solo (vocalizations of rhythmic patterns). | August 3, 1961 | Collector's field recordings. | 1:13 | Good | |||||||||||
| 373 | 1 | 11 | 373.1.11 | 258-11 | North India | India | Manipuri Pung: Jatra rupaka - solo (?) | Manipuri pung demonstration. | Manipuri Pung (double-headed, tuned barrel drum of Maipur). Vocal: Male solo (vocalizations of rhythmic patterns). | August 3, 1961 | Collector's field recordings. | 1:36 | Good | |||||||||||
| 375 | 1 | 1 | 375.1.1 | 260-1 | North India | India | Talavadya Kaccheri | Harmonium(?); drum (tabla?); sarangi?. Vocal: Female solo, alternates with mixed(?) chorus; Male solo speaking voice. (Notes don't provide instrumentation). | August 3, 1961 | Collector's field recordings. | Alternates between music w/singing portions and portions in which there is a male speaking voice over a drone and a solo instrument (usually saranghi). Sound is generally fuzzy and there is static throughout. Music/singing portion seems abrubtly cut off at 13:02. | 20:53 | Fair | |||||||||||
| 375 | 1 | 2 | 375.1.2 | 260-2 | North India | India | Salamat Nazakat | Drum (tabla?); bowed string instrument (sarangi)(?) (Notes don't provide instrumentation). | Salamat and Nazakat Ali Khan(??) | August 3, 1961 | Collector's field recordings. | Volume fluctuates throughout (2:24- 2:28 it is almost inaudible). | 8:04 | Fair | ||||||||||
| 375 | 1 | 3 | 375.1.3 | 260-3 | North India | India | Singing | Drone (harmonium?); drum (tabla?);; sarangi (?); flutes (?). Vocal: Male (2). (Notes don't provide instrumentation). | Salamat and Nazakat Ali Khan (vocal). | August 3, 1961 | Collector's field recordings. | ends abruptly. Possibly, this tape continues on tape 225. | 2:43 | Fair | ||||||||||
| 376 | 1 | 1 | 376.1.1 | 261-1 | South India | India | "Sri Saraswati Namastu-te" | Raga Arabhi and Tala Rupaka | Vina demonstration and lesson. | Vina. | Nageswara Rao (vina). | July 31, 1961 | Collector's field recordings. | Full title: "Sri Saraswati Namastu-te in Raga Arabhi and Tala Rupaka." Begins with announcement/introduction of song in English by Nageswara Rao. Warble at 0:41. Occassional Environmental noise throughout. | 3:34 | Fair | ||||||||
| 376 | 1 | 2 | 376.1.2 | 261-2 | South India | India | Sawajavanagamaha | Raga Madhayamavati and Tala Adi | Vina demonstration and lesson. | Vina. | Nageswara Rao (vina). | July 31, 1961 | Collector's field recordings. | Full title: "Sawajavanagamaha in Raga Madhayamavati and Tala Adi." Begins with announcement/introduction of song in English by Nageswara Rao in which he names the composer. Occassional environmental noise throughout. Sounds of a shuffling microphone at 2:18-2:31. | 3:28 | Fair | ||||||||
| 376 | 1 | 3 | 376.1.3 | 261-3 | South India | India | Pada Varnam in Raga Ananda-Bhairavi and Tala Adi | Pada Varnam | Vina demonstration and lesson. | Vina. | Nageswara Rao (vina). | July 31, 1961 | Collector's field recordings. | Begins with announcement/introduction of song in English by Nageswara Rao with background on the composer. | 6:54 | Fair | ||||||||
| 376 | 1 | 4 | 376.1.4 | 261-4 | South India | India | Yemanachiha (kriti) in Raga Sahana and Tala Rupaka | Kriti | Vina demonstration and lesson. | Vina. | Nageswara Rao (vina). | July 31, 1961 | Collector's field recordings. | Begins with announcement/introduction of kriti in English by Nageswara Rao. Low hum, electronic noise, intermittent popping throughout. | 4:00 | Fair | ||||||||
| 376 | 1 | 5 | 376.1.5 | 261-5 | South India | India | Sarale varese in Raga Mayamalava goula and Tala A | Sarale varese | Vina demonstration and lesson. | Vina. | Nageswara Rao (vina). | July 31, 1961 | Collector's field recordings. | Full item title: "Sarale varese in Raga Mayamalava goula and Tala Adi." Begins with announcement/introduction in English by Nageswara Rao.Low hum, electronic hum, static throughout. | 2:42 | Fair | ||||||||
| 376 | 1 | 6 | 376.1.6 | 261-6 | South India | India | Jente varese in Raga Mayamalava goula and Tala Adi | Jente varese | Vina demonstration and lesson. | Vina. | Nageswara Rao (vina). | July 31, 1961 | Collector's field recordings. | Begins with announcement/introduction of song in English by Nageswara Rao. Static throughout. Flutter at 2:49. | 3:39 | Fair | ||||||||
| 376 | 1 | 7 | 376.1.7 | 261-7 | South India | India | Alankara | Alankara | Vina demonstration and lesson. | Vina. | Nageswara Rao (vina). | July 31, 1961 | Collector's field recordings. | Begins with announcement: "Alankaram(?). The first one is. . ." Announcement of 2nd alankara at 3:45; 3rd at 6:01. Flutter at 7:03. Ends abruptly in the middle of the announcement for the 4th alankara. | 7:16 | Fair | ||||||||
| 377 | 1 | 1 | 377.1.1 | 262-1 | South India | India | Alankara (continued from tape 261) | Alankara | Vina demonstration and lesson. | Vina. | Nageswara Rao (vina). | August 1, 1961 | Collector's field recordings. | Full title on tape box: "Alandaram (cont'd) No. 4, No. 5, No. 6. Begins with announcement of 4th Alankara; announcement of 5th at 0:59; announcement of 6th at 2:28; 7th at 4:16. These are followed by 4 short pieces (still alankara? Says "trisa'ika(?) for the first "Kana'ika(?) for the second, etc. Flutter at 7:02. | 8:10 | Good | ||||||||
| 377 | 1 | 2 | 377.1.2 | 262-2 | South India | India | Three gitams in Raga Natai and Tala Adi | Gitam | Vina demonstration and lesson. | Vina. | Nageswara Rao (vina). | August 1, 1961 | Collector's field recordings. | Nageswara Rao announces each of the Gitam and gives a demonstration of each of the scales. These could be listed as separate items divided as follows: 0-2:11; 2:11-4:53; and 4:53-7:03. | ||||||||||
| 377 | 1 | 3 | 377.1.3 | 262-3 | South India | India | Swanapallavi in Raga Hamsudvani and Tala Adi. | Swanapallavi in Raga Hamsudvani and Tala Adi. | Vina demonstration and lesson. | Vina. | Nageswara Rao (vina). | August 1, 1961 | Collector's field recordings. | Begins with an announcement by Nageswara Rao and a demonstration of the scale. Flutter at 2:30. Pops and volume increases at 2:53. | 3:31 | Good | ||||||||
| 377 | 1 | 4 | 377.1.4 | 262-4 | South India | India | Three kritis | Kriti | Vina demonstration and lesson. | Vina. | Nageswara Rao (vina). | August 1, 1961 | Collector's field recordings. | Full Item title: "Three kritis: Raga Bangala and Tala Adi, Raga Nagagandhari and Tala Rupaka." There are only two kritis recorded. Nageswara Rao announces/introduces each of the kritis (composer, commencing words, scale demonstration. These could be listed as separate items as follows: 0:00-3:47; 3:49-8:39. Pop, volume increas, and faint low hum at 0:36. Warble at 7:27. | 8:39 | Good | ||||||||
| 377 | 1 | 5 | 377.1.5 | 262-5 | South India | India | Tillana in Raga Paraz and Tala Adi (incomplete). | Tillana |