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Students in the world music concentration may, through elective courses, prepare for a variety of career goals, including study of ethnomusicology in graduate school, composing and performing music, working in the music industry, serving society in the nonprofit sector, or becoming a K-12 music teacher.
Students in the world music concentration must choose one of four emphases:
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General World Music (for students interested in general training in world music): Students must take courses in the music of Africa, the Americas, Asia, and Europe; popular music and jazz; and the aesthetics, politics, and psychology of music.
Performance/Composition (for students interested in a career in performance and/or composition): Students must take courses in performance, composition, jazz keyboard harmony, theory, arranging and improvisation. Students must also give a recital or compose an original composition.
Public Ethnomusicology (for students interested in careers in the music industry, the music business, archiving, or arts administration): Students must take courses such as the music industry; the music business; audiovisual archiving; and music, science and technology. Students must also work as an intern in professional institutions to prepare for their careers.
Scholarly Research (for students interested in pursuing graduate study): Students must choose from courses concerned with culture areas (Americas, Africa, and Asia); popular music and jazz; aesthetics, politics, and psychology; and/or special topics and individual studies. To demonstrate their research skills, students must also write a senior thesis.
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Because learning to perform the music of the world can enlighten and enrich academic experiences, ethnomusicology majors are required to take performance courses (Ethnomusicology 91 A-Z and 161 A-Z) concurrently with their academic courses. Students have the opportunity to participate in performing organizations representing some 10-12 traditions. These ensembles are taught by masters of each tradition, who are also usually natives of that tradition, giving the student a chance to understand the subtleties of pedagogical technique from someone who has spent a lifetime immersed in the music (for details click on World Music Performance Ensembles).
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