APPENDIX 1

Structure of Sabbath Morning Service in Abohav Synagogue.

Section

Text

Performer

Musical genre

1) Dawn Prayers
(Tefilot Hashahar)

Adon Olam

Congregation:
(Eastern Sephardi)
and North-African)

Melody

 

Vatitpalel Hanna
 to Kadish
Derabanan

Prayer leader:
 Moroccan

Prayer chanting

 

Hodu Ladonai

Congregation:
(Eastern Sephardi)
and North-African)

Melody

 

Selected passages,
 Psalm 50

Prayer leader:
 Moroccan

Psalmody

 

Adonai melekh

Prayer leader (Moroccan), with responses from the congregation

Melody

2. Zemirot (Sabbath Hymns)

Passages from Psalms

Moroccan prayer leader
and E. Sephardi performer (beadle)
in turns

Psalmody

 

Psalm 136

Moroccan prayer leader
and congregation
(resonsorial singing)

Psalmody

Psukey de Zimra (psalms)

Barukh She’amar  to Batishbahot

Prayer leader – Moroccan

Prayer chanting

 

Passages from
Psalms

Moroccan prayer leader
and E. Sephardi performer (beadle)
in turns.

Psalmody

 

Psalm 150

Congregation

Melody

 

Concluding passages: selected passages

Prayer leader – Moroccan

Prayer chanting

 

‘Song of the sea’
(Shirat Hayam)

Congregation

Moroccan Melody, Sephardi Melody 

3. Compulsory
 prayer
a. Birkat hashir

From Ki l’adonai
 hamelukha to
Ushemo ehad

Permanent cantor-
Eastern Sephardi

Prayer chanting

 

Nishmat to Ela Ata

Congregation

Melody

 

Umibil’adekha  to Milefanim

Permanent cantor- E. Sephardi

Prayer chanting

 

Mimitzraim to
Dilitanu

Congregation

Melody

 

Ad hena  to Befinu

Permanent cantor- E. Sephardi

Prayer chanting                       

 

Hen hem yodu to Tamid

Congregation

Melody

 

Ki kol pe to Migozelo

Permanent cantor- E. Sephardi

Prayer chanting

 

Shav'at anyim to Tit'halal

Congregation

Melody

 

Bemikhalot to Batishbakhot

Permanent cantor- E. Sephardi

Prayer chanting

 

El hahodaot  to
Amen

Congregation

Melody

 

Half Kaddish

Permanent cantor- E. Sephardi

Melody

b. Reading of the Shema and accompanying blessings

i. Yotzer Or blessing

Barukh Ata  to Lit’hiyat hametim

Permanent cantor- E. Sephardi

Prayer chanting
and  Torah Cantillation

 

El Adon s’mehim betzetam to Ve’ofnei hakodesh

Congregation

Melody

 

La’el asher Shabbat to Yotzer Me’orot

Permanent cantor- E. Sephardi

Prayer chanting

ii. Ahava  blessing

Ahavat Olam to Be’ahava

Permanent cantor- E. Sephardi

Prayer chanting

 

Veha’er Eineinu

Congregation

Melody

 

Ki beshem to
Be’ahava

Permanent cantor- E. Sephardi

Prayer chanting

iii. First and second sections of the Shema, Redemption blessing

Ve’ahavta to Ga’al Yisrael

Permanent cantor- E. Sephardi

Cantillation and Prayer chanting

c. Amida prayer

Avot  and Gevurot

Permanent cantor- E. Sephardi

Prayer chanting

 

Kedusha

Congregation

Melody

 

Continuation of
Amida prayer

Permanent cantor- E. Sephardi

Prayer chanting

 

Blessing of the
priests

Permanent cantor- E. Sephardi and cohanim (priests descendents) 

Prayer chanting

 

Continuation of
Amida  prayer

Permanent cantor- E. Sephardi

Prayer chanting

 

Kadish Titkabal

Permanent cantor-
E. Sephardi

Melody

4. Reading of the Pentateuch (Keriat HaTorah)
a. Taking out the Torah scroll

Selection of biblical
Texts

Congregation

Melodies

b. Calling up to the Torah

 

Members of the congregation

Blessing of the Tora

c. Cantillation from  the Torah

 

Permanent cantor- E. Sephardi

Catillation

d. Cantillation from the prophets (Haftara)

 

 Beadle, honoured
Guests

Catillation

e. Mi sheberach

 

Permanent cantor- E. Sephardi

Prayer chanting

f. Torah scroll is returned to the ark

Ashrei to Halleluya

Permanent cantor- E. Sephardi

Prayer chanting

 

Psalm 146
Psalm 29

Children and
congregation (responsorial singing)

Melody

Half Kaddish

 

Prayer leader –
Moroccan

Melody

5. Additional prayer (Mussaf)

Amida  prayer

  Different performers
From the congregation

Prayer chanting

 

Keter

 

Melody

 

Amida  prayer
continued

    Different performers
From the congregation

Prayer chanting

 

Priests’ blessing

Different performers
from the congregation and
Cohanim

Prayer chanting

 

Amida prayer continued

  Different performers
From the congregation.

Prayer chanting

 

Conclusion of prayer

  Different performers
From the congregation.

Prayer chanting