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The UCLA Ethnomusicology Archive Report (a.k.a. "the EAR") is an informal discussion of ethnomusicology and archives at UCLA and beyond. It is issued four times a year, in the Fall, Winter, Spring, and Summer quarters. Contributions from readers are welcome and should be sent to John Vallier at the UCLA Ethnomusicology Archive: archive@arts.ucla.edu - Copyright Regents UC, 2003.


Volume 4, Number 2 - Winter 2003

Table of Contents
AFAMILA Festival on May 8 - John Williamson Performs in Archive - Bell Yung Visits Archive - Recording Review


Archiving Filipino American Music in Los Angeles (AFAMILA)

A UCLA in LA funded partnership with Kayamanan Ng Lahi and the UCLA Ethnomusicology Archive

Festival & Celebration: May 8, 2004

Free Food! Live Performances - Traditional, folk, rock, pop, hip-hop, R&B, and spoken word. Premiere film screening of highlights from Fil Am performances in Southern California, 2003-2004. Bands slated to perform include INVID, The Pakaraguian Kulintang Ensemble, and others.. Open listening/viewing of Fil Am cultural recordings in the Archive! Please join us in celebrating nearly 10 months of documenting Los Angeles area Filipino American music and expressive culture for future generations of researchers and community members. This event is free and open to the public.

Saturday, May 8, 2004 - 1:00pm - 7:00pm, UCLA Ethnomusicology Courtyard, Schoenberg Music Building. For more information contact us at archive@arts.ucla.edu (310) 825-1695. More information about AFAMILA is available here.

"The Pakaraguian Kulintang Ensemble" performing at the Fowler Museum of Cultural History - Los Angeles, CA October 9, 2003.

Click here to view a Quicktime collage of out-takes from our AFAMILA documentation efforts.


Australian Folk Star Performs in Archive - World-renowned Australian singer/songwriter John Williamson visited the Archive on the evening of Wednesday, February 11, 2004. Williamson, who has sold over two million albums in Australia alone, performed songs from his extensive repertoire for an intimate Archive performance. Between songs Williamson spoke about his role in shaping the identity of a unique Australian folk music and the nature of his socially and environmentally progressive lyrics. Over the span of his career, Williamson has released 31 albums, 9 videos, two DVDs, 2 books of lyrics and has collected 20 Golden Guitars at the Australian Country Music Awards. During his visit, Williamson donated one of his books to the Archive, True Blue Two: More Stories and Songs of Australia.

Australian Folkie Performing at the Ethnomusicology Archive
 

Bell Yung DVD Hour - On Monday, March 3, 2004, Dr. Bell Yung presented his DVD, "A Blind Singer's Story: Fifty Years of Life and Work in Hong Kong," As described by the publisher, the Hong Kong Museum of History, this "DVD set is jointly produced by the Hong Kong Museum of History and the Department of Music of the University of Hong Kong for the research project on Nanyin music. It is also a tribute to Mr. Dou Wun (1910-1979), a legendary Nanyin singer. In his own words and his captivating voice, Mr. Dou shared his life and his five decades of singing career in Hong Kong. Illustrated with historical photographs and film clips of the old Hong Kong, the DVD set is a highly recommended collection item for lovers of Nanyin music and Hong Kong history." A Professor of Music at the University of Pittsburgh, Dr. Yung is director of the Asian Studies Program at the University of Pittsburgh and holds a concurrent appointment as Kwan Fong Chair in Chinese Music at the University of Hong Kong.

Dr. Bell Yung

Archive Recording Reviews - In this installment of the EAR, a review by UCLA Ethnomusicology graduate student Meagan Rancier is provided below. If you are interested in reviewing Archive recordings for the EAR please contact us for more information.

Various Artists - Latcho Drom (1993): Archive Call Number ARCD 2023

The motion picture soundtrack Latcho Drom gathers together all of the music from the film of the same name (available in the UCLA Media Library, VC15234) and vibrantly displays the rich musical legacy of the Roma (Gypsies) from their historical roots in India, through the Near East regions and eastern Europe, and finally ending in Spain. The purpose behind this film and its music is not so much ethnographic or documentary as it is illustrative of the fascinating history and common struggles shared by Roma peoples from all areas of the world. The scenes from the film are clearly choreographed, and often contain a twinge of exoticisim; but despite whatever "authenticity" may be lacking from the film, the performances on the CD are well-executed and diverse, offering a very interesting and enjoyable listening experience.

The songs on the CD range from social dance songs, to laments, to the street calls of a young girl selling flowers on the street. Many of the song texts ponder the plight of the Roma people, who are often forced to move from place to place and endure insult and injustice from authorities and more fortunate members of society. Child performers also appear prominently in both the film and the CD; for example, the first track features a young boy expertly singing a traveling song while accompanying himself on wooden clappers.

One of the most interesting aspects of the CD is the diversity of cultural areas and musical styles that are practiced by Roma from various geographical locations, woven together into a continuous thread of ethnic heritage that spans thousands of years and as many miles. The listener experiences a distinct sense of moving through space as the musical selections progress, from the distinctive drum rhythms of India (Track 2, "Oh kesario hazari gul ro phool") to the unique fiddle techniques of Hungary (Track 11, "Cigány himnusz") to Spanish flamenco (Track 16, "Ramona") and"gypsy swing" from Western Europe (Tack 15, "Tchavolo swing"). Reviewed by Megan Rancier

 

 
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